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WHY NOTHING WORKS

WHO KILLED PROGRESS―AND HOW TO BRING IT BACK

Provocative reading for anyone with a stake in public works writ large.

A progressive takes a stand against gridlock and NIMBYism among his fellow activists.

Dunkelman opens with a thought exercise: Wending through the inferno that is New York’s Penn Station, he finds himself wondering how it can be that the city has long been “allowing its most important gateway to fester as a rat’s nest.” In the days of the powerful urban planner Robert Moses—a figure for whom Dunkelman, while not exactly resurrecting him in glory, expresses some admiration—Penn Station would gleam, just as traffic would zoom across the boroughs and the trains would run on time. Progressives, Dunkelman notes, are torn between what he deems Jeffersonian and Hamiltonian ideals. A Jeffersonian would seek to diffuse responsibilities and authority such that a Moses-like figure could not take charge and get the big things done, while a Hamiltonian would seek to appoint a czar and accomplish the pressing concerns: battling climate change, solving the housing crisis, rebuilding infrastructure. These core tenets, Dunkelman argues, “flow from wildly different and contradictory narratives about power,” and they need to be reconciled. In the face of reality, Dunkelman observes that the big projects—the Tennessee Valley Authority in the days of the New Deal, the battle to rein in climate change today—come with painful decisions that must be made, despite “our cultural aversion to power.” Foremost among them is the hard recognition that for the most part, “there is no way to serve the greater good without exacting some cost on at least someone,” and there’s no use pretending that this isn’t the case. Given that widespread aversion, we have governments to determine who will pay such costs—and if not, he warns, “a government too hamstrung to serve the public good will fuel future waves of conservative populism,” the very thing progressives should wish to avoid.

Provocative reading for anyone with a stake in public works writ large.

Pub Date: Feb. 18, 2025

ISBN: 9781541700215

Page Count: 416

Publisher: PublicAffairs

Review Posted Online: Dec. 13, 2024

Kirkus Reviews Issue: Jan. 15, 2025

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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