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HOW WILL I KNOW

An inventive, playful, and low-stakes story.

A supernatural novel of self-discovery featuring Whitney Houston.

Debut author Renson introduces protagonist Michael Monroe, the 29-year-old son of the wealthy, glamorous Olivia Monroe. Olivia and her late husband built a diamond empire that made them rich, but after Michael fell in with the wrong crowd in culinary school, his mother cut him off without a nickel. The would-be chef is now unemployed, driving a heap, and newly single after his boyfriend dumped him. All Michael ever wanted was to make it in the restaurant world, which now seems unlikely at best. All seems lost until he hears a familiar voice in his head. Is he going crazy? No, the spirit of the late Whitney Houston has decided to be his guardian angel, and Michael is soon emboldened. He even finds the courage to stand up to his mother. After a local psychic picks up on Michael’s connection with the Whitney Houston, the opportunities multiply, including an offer to participate in a televised séance in Florida for $2 million. He’ll just need to learn how to survive the ensuing media onslaught. Michael’s story moves from the crowded streets of Manhattan to the crystal-blue waters of the Florida Keys and grows increasingly whimsical. He may hit some low points, though it looks like he’s riding a long upswing. There’s always a new lively spot in Florida to see and more encouraging words from Whitney Houston (“I am here for you”). Michael’s new problems are small beer, such as finding a condo he likes. Life improves so dramatically that the tension deflates. Still, his ability to turn his life around has its inspirational moments, and his method is definitely novel.

An inventive, playful, and low-stakes story.

Pub Date: April 9, 2024

ISBN: 9798888242766

Page Count: 288

Publisher: Koehler Books

Review Posted Online: March 13, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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