Sure to get toddlers and early readers dancing.
Sedaka rewrites "Calendar Girl" for the Stone Age set.
Neil's son, Marc, reworks the lyrics of his father’s famous song. Endpapers show a happy little boy sliding down a dinosaur's tail, and the title page depicts him lugging a big purple egg down the street as a puzzled pooch looks on. "I love, I love, I love / my dinosaur pet," the text begins, offering 13 additional bright two-page pictures (one for each month and a bonus). In January, the egg hatches: "[H]e's breaking out of his shell." Then February: "His body's starting to swell." (He's bright green with purple stripes.) And so it goes through the year, with the dinosaur growing bigger and bigger. In April, "when he sleeps with me / he crushes the bed." In July, "like the fireworks, / he touches the sky." September, "just the tail alone is / thirty feet long." And December, "come the new year, things are / gonna get rough." The final picture has the little boy seated at a piano, which the dinosaur is large enough to wrap all the way around, head and tail crossing. The dinosaur, the illustrations and the book itself are all appropriately big, and it's hard to beat the catchiness of the tune. The accompanying CD features this track for children and two more, all performed by Neil Sedaka.
Sure to get toddlers and early readers dancing. (Picture book. 3-5)Pub Date: May 1, 2012
ISBN: 978-1-936140-36-7
Page Count: 28
Publisher: Imagine Publishing
Review Posted Online: Feb. 14, 2012
Kirkus Reviews Issue: March 1, 2012
Perfect for every underdog who wants to have a say.
A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.
From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.
Perfect for every underdog who wants to have a say. (Picture book. 3-5)Pub Date: Sept. 16, 2025
ISBN: 9780316581721
Page Count: 40
Publisher: Little, Brown
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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