A vibrant portrait of two strong women and their mixed feelings about home.
An entrancing debut novel set in a “dinky little border town” on the Texas side of the Rio Grande links the stories of two women, one a young wife and mother in the 1950s and the other a 14-year-old in 1994.
Both are considered malas by those around them, bad girls who are “willful and didn’t listen.” In 1951, Pilar Aguirre, the illegitimate daughter of a wealthy Mexican man, has moved to the United States with her handsome charro husband, José, and is shocked when an older woman approaches her house saying she herself is José’s wife. The woman puts a curse on Pilar, which seems to come true when two of Pilar and José’s children die. Despite the help provided by her sensible older comadre, Romi, Pilar is unable to cope with her situation. Four decades later, Lulu Muñoz—whose mother died in a motorcycle accident when she was 5—is being raised by a loving but alcoholic father along with her grandmother Romi. Lead singer in a punk band, Lulu is ambivalent about her upcoming quinceañera, with its frills and gaudy ceremony, until she forms a close relationship with the glamorous and mysterious Pilar, who has returned to town after decades away and comes up with a surprising scheme for the party. While the sections of the novel set in the ’90s are the liveliest, full of the complicated details of being a teenager pulled by tradition and pop culture, romance and independence, the briefer sections set in the ’50s provide a sense of context and of the differences and similarities between the two young women as Fuentes cunningly reveals the unexpected ties that bind them.
A vibrant portrait of two strong women and their mixed feelings about home.Pub Date: June 4, 2024
ISBN: 9780593655788
Page Count: 384
Publisher: Viking
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
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