A telling epitaph for the dreams of a heroine who had “dared to hope for something else this time.”
Peyton Place meets Fargo in this clipped tale of misdoings in the Red River Valley.
As she’s plowing a field on Bud Borgerud’s farm one morning, Cash Blackbear spots a car parked with its engine running outside a house Borgerud’s renting to Nils and Arlis Petterson. The car is still there and still running the next time Cash passes, and the time after that. So Cash, an Ojibwe woman with a troubled past and a sixth sense that tells her things other people miss, pulls over and checks out the car, which is empty, and the house, which is occupied by a little girl and a dead body. The terrified girl speaks only enough to identify herself as Shawnee, but Cash recognizes the corpse as that of Bud Borgerud. Although Norman County Sheriff David Wheaton, the mentor who’s already gotten Cash out of more than one dangerous situation, assumes that Arlis Petterson shot her landlord and ran off with her husband, Cash can’t imagine why Arlis would abandon a child Cash believes is her daughter, a child who’s now unhappily shifted first to a county social worker’s custody, then to newly widowed Jean Borgerud’s. And the balance of authority shifts from Wheaton to Cash when she rescues him from the trunk of his car, where he’s been locked by a trio of bank robbers who got the drop on him. Rendon is less interested in spinning out further complications—most readers will spot Borgerud’s killer early on—than in exploring the ways the deck is stacked against Cash because she’s a woman, an Ojibwe, and a maverick with limited respect for white men’s rules.
A telling epitaph for the dreams of a heroine who had “dared to hope for something else this time.”Pub Date: March 4, 2025
ISBN: 9781641296588
Page Count: 272
Publisher: Soho Crime
Review Posted Online: Dec. 12, 2024
Kirkus Reviews Issue: Jan. 15, 2025
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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