by Marcus Pfister ; illustrated by Marcus Pfister ; translated by David Henry Wilson ‧ RELEASE DATE: Oct. 5, 2021
Disappointingly shallow.
An old, movement-averse walrus disrupts the status quo when he decides to learn ballet.
From the creator of The Rainbow Fish comes an underwhelming parable about the value of hard work in the face of closed-mindedness and tradition, set against a backdrop of ongoing environmental crises. Franz-Ferdinand, who at 42 has already surpassed the average walrus life span, lives on the east coast of Greenland, where he surreptitiously observes the rehearsals of Madame Flamenco’s troupe of flamingo ballet dancers (they have been displaced by climate change). After practicing in secret, the head bull walrus requests an audition. No one expects Franz-Ferdinand to succeed at ballet, a fact underscored by a questionable subplot in which he, in need of a “suitable piece of clothing” that isn’t “too feminine,” constructs a tutu out of literal ocean trash that fits his “big fat tummy.” Yet, despite this equation of his large body with garbage, his performance is so impressive and his speech so surprisingly “cultured” that Madame Flamenco falls “madly in love” with her new student, leading to the creation of a walrus ballet company. While the stylized illustrations successfully convey the anthropomorphized animals’ emotions via expressive faces and body language, they omit any visual evidence of walruses’ practicing (as opposed to performing) ballet, which contradicts the book’s heavy-handed message of perseverance. The lengthy text impedes the narrative, while its playful tone downplays human complicity in climate change and ocean trash and elides any context or resources for the environmental and social issues it vaguely references.
Disappointingly shallow. (author's note) (Picture book. 4-8)Pub Date: Oct. 5, 2021
ISBN: 978-0-7358-4469-8
Page Count: 32
Publisher: NorthSouth
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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by Marilyn Sadler ; illustrated by Tim Bowers ‧ RELEASE DATE: Jan. 6, 2026
A tale of mutual adoration that hits a sweet note.
Little Honey Bunny Funnybunny loves baseball almost as much as she loves her big brother P.J.—though it’s a close-run thing.
Readers familiar with the pranks P.J. plays on his younger sibling in older episodes of the series (most illustrated by Roger Bollen) will be amused—and perhaps a little confused—to see him in the role of perfect big brother after meeting his swaddled little sister for the first time in mama’s lap. But here, along with being a constant companion and “always happy to see her,” he cements his heroic status in her eyes by hitting a home run for his baseball team and then patiently teaching her how to play T-ball. After carefully coaching her and leading her through warm-up exercises, he even sits in the stands, loudly cheering her on as she scores the winning run in her own very first game. “‘You are the best brother a bunny could ever have!’” she burbles. This tale’s a tad blander compared with others centered on P.J. and his sister, but it’s undeniably cheery, with text well structured for burgeoning readers. The all-smiles animal cast in Bowers’ cartoon art features a large and diversely hued family of bunnies sporting immense floppy ears as well as a multispecies crowd of furry onlookers equally varied of color, with one spectator in a wheelchair.
A tale of mutual adoration that hits a sweet note. (Early reader. 6-8)Pub Date: Jan. 6, 2026
ISBN: 9798217032464
Page Count: 48
Publisher: Random House
Review Posted Online: March 17, 2026
Kirkus Reviews Issue: May 1, 2026
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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