A trendy experiment in narrative, clumsily done and unlikely to gain much traction except as a curiosity.
Pfister swaps out words for signs—mostly big dots with happy, sad, or mad faces—in this tale of a trickster raven’s ups and downs.
Instead of words, emojis do the communication here. Walking along distractedly beneath a tiny storm cloud, Raven bashes into a tree (stars), poses with a bandaged beak (frowning pile of dung), then discovers (smirking devil) that sporting more bandages earns more sympathy (hearts and haloed, smiling dots) from other birds. That exploit ends when Raven, totally swathed, is first mistaken for litter and swept up with other trash (scowling faces). The bird then seeks a bit of redemption by bringing a distressed worm (cue a tiny version of the dung, now alarmed) to a cute baby bird (more smiles and hearts). The emojis, enlarged and redrawn with slightly more modeling than seen in standard versions, float singly or in clusters like balloons in the woodsy cartoon scenes. Though they work as broad signals of mood, their placement sometimes makes it unclear whether they’re supposed to apply to Raven or (the worm excepted) others. Also, the incandescent light bulb and devil’s face that appear when Raven first spots the baby bird plainly indicate some sort of trick in the offing, but Pfister leaves readers in the dark about what it might have been if the avian trickster hadn’t changed his mind on the next page. Some, not all, of the visual vocabulary is reproduced on two pages of large stickers at the end.
A trendy experiment in narrative, clumsily done and unlikely to gain much traction except as a curiosity. (Picture book. 4-6)Pub Date: April 1, 2018
ISBN: 978-988-8341-23-8
Page Count: 32
Publisher: minedition
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
Like the last sip of a chocolate milkshake, it’s very satisfying.
A story-reading dragon—what’s not to like?
Duncan the Dragon loves to read. But the stories so excite him, his imagination catches fire—and so do his books, leaving him wondering about the endings. Does the captain save the ship? Do aliens conquer the Earth? Desperate to reach the all-important words “The End” (“like the last sip of a chocolate milk shake”), he tries reading in the refrigerator, in front of a bank of electric fans, and even in a bathtub filled with ice. Nothing works. He decides to ask a friend to read to him, but the raccoon, possum, and bull all refuse. Weeping, Duncan is ready to give up, but one of his draconic tears runs “split-splat into a mouse,” a book-loving mouse! Together they battle sea monsters, dodge icebergs, and discover new lands, giving rise to a fast friendship. Driscoll’s friendly illustrations are pencil sketches painted in Adobe Photoshop; she varies full-bleed paintings with vignettes surrounded by white space, imaginary scenes rendered in monochrome to set them apart. Duncan himself is green, winged, and scaly, but his snout is unthreateningly bovine, and he wears red sneakers with his shoelaces untied—a nicely vulnerable touch. Though there are lots of unusual friendship stories in picture books, the vivid colors, expressive faces, and comic details make this one likely to be a storytime hit.
Like the last sip of a chocolate milkshake, it’s very satisfying. (Picture book. 4-6)Pub Date: June 9, 2015
ISBN: 978-0-385-75507-8
Page Count: 40
Publisher: Knopf
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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