Haunting.
Similar to Sedgwick’s Printz Award–winning Midwinterblood (2013), four stories relate in elusive ways.
Sedgwick calls these stories “quarters” and encourages readers to experience them in any order. If read in the printed order, they begin with the dawn of time in a story that uses spare verse to describe a cave-dwelling girl who awakens to the world through the spiral shapes she sees as she gathers magic for her people. The second story skips to pre-Enlightenment England and the heartbreaking story of Anna, who is accused of witchcraft after taking up her mother’s “cunning woman” mantle. The fictitious journal entries of a Dr. James follow as this early-20th-century psychiatrist forms an unusual relationship with an asylum patient and leaves readers wondering who the true threat to society is. The quartet concludes with a science-fiction thriller in which Sentinel Keir Bowman, awake only 12 hours every 10 years, journeys on a spaceship scouting for new life. What openly draws these stories together is a spiral and spinning symbolism that presents itself through vivid details, from the seemingly mundane to literary references. Individually they conform to conventions; together they defy expectations as they raise questions about humanity and its connections to the universe and one another. Although Sedgwick gives a nod to teens, this complex masterpiece is for sophisticated readers of any age.
Haunting. (Fiction. 14 & up)Pub Date: Jan. 6, 2015
ISBN: 978-1-62672-125-8
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
Combines the best parts of the earlier books with confidence and creativity, sustaining strong momentum throughout.
Friendships, romance, and long-awaited answers combine for a triumphant trilogy closer.
A couple of dramatic prologues and some early exposition bring readers up to speed about the mysteries and players of Hemlock Falls. Winnie Wednesday, Erica Thursday, and Jay Friday have formed a clue-gathering trio collectively known as the WTF triangle. The three agree to work together to uncover the truth behind mysteries involving Winnie’s missing father and Erica’s late sister. Winnie’s star has risen in this entry: Characters who teased her during the events of the first book are now cheerfully welcoming toward her, and her romance with werewolf Jay continues to heat up. Her ongoing guilt and trauma over deaths from prior books ground the narrative, while sprinkled-in pop-culture references and a recurring Emily Dickinson motif showcase her nerdy personality. Changes in the format—such as scriptlike dialogue sequences and daily schedules for the Nightmare Masquerade—break up the narration in creative ways. The eventual reveal of a looming threat that’s targeting everyone Winnie knows starts the countdown of a ticking clock within the story. Meanwhile, a slew of fantasy monsters ensure high enough stakes, suspense, and action to bring the story to a heart-racing and satisfying conclusion. Winnie and Jay present white, and Erica is cued Latine.
Combines the best parts of the earlier books with confidence and creativity, sustaining strong momentum throughout. (Fantasy. 14-18)Pub Date: Nov. 19, 2024
ISBN: 9781250339485
Page Count: 384
Publisher: Tor Teen
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
For fans, a finale that satisfies.
Picking up just after the end of Legendary (2018), Garber continues to build the world of Caraval with a final installment, this time focusing equally on both Dragna sisters’ perspectives.
After they released their long-missing mother from the Deck of Destiny, Scarlett and Donatella hoped to rebuild their relationship and gain a new sense of family. However, Legend also released the rest of the Fates, and, much to their dismay, the Fallen Star—essentially the ur-Fate—is only gaining in power. As the Fates begin to throw Valenda into chaos and disarray, the sisters must decide whom him to trust, whom to love, and how to set themselves free. Scar’s and Tella’s passionate will-they-or-won’t-they relationships with love interests are still (at times, inexplicably) compelling, taking up a good half of the plot and balancing out the large-scale power games with more domestic ones. Much like the previous two, this third book in the series is overwritten, with overly convenient worldbuilding that struggles nearly as much as the overwrought prose and convoluted plot. While those who aren’t Garber’s fans are unlikely to pick up this volume, new (or forgetful) readers will find the text repetitious enough to be able to follow along.
For fans, a finale that satisfies. (Fantasy. 14-18)Pub Date: May 7, 2019
ISBN: 978-1-250-15766-9
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: April 6, 2019
Kirkus Reviews Issue: May 1, 2019
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