As one of a small group of authors who won literary credibility for dystopian fiction, Atwood has taught her readers to...
Dystopian clichés are played as farce in this nasty tale.
Comparisons to Atwood's earlier work, an oeuvre of more than 40 volumes that includes the Man Booker Prize winner The Blind Assassin; the early feminist/dystopian classic The Handmaid's Tale; the pioneering mean-girls novel Cat's Eye; and the post-apocalyptic trilogy Oryx and Crake (2003), The Year of the Flood (2009), and Maddaddam (2013), are best avoided here. This slapped-together pastiche tells the story of Stan and Charmaine, a doltish young couple who have lost everything in some vague "financial-crash business-wrecking meltdown" and are now living in their car, hungry and on the run from rapists and other outlaws. In desperation, they eagerly sign up to live in a settlement called the Positron Project. Here, people alternate months between performing slave labor in a sex-segregated jail and living with their partners in a sterile suburban town called Consilience. The project's slogan is "CONSILIENCE = CONS+RESILIENCE. DO TIME NOW, BUY TIME FOR OUR FUTURE!"—and it's never going to make more sense than that. To an officially sanctioned soundtrack of Doris Day and Bing Crosby, Stan and Charmaine go about their appointed tasks, which include his providing poultry for incarcerated men to have sex with and her murdering people by injection. When the doll-like, almost subhuman Charmaine inexplicably throws herself into a tawdry affair with another man and Stan is reassigned to a sex-robot project ("As an on-demand sexual experience, it's said to be better than the bonk-a-chicken racket..."), the weak premises of the plot collapse, burying its characters in the rubble. Atwood is noted for satiric humor, but with the misanthropy of this book equaled by its misogyny, with women repeatedly melting "like toffee" and treating each other like "something that got stuck on their shoe" and "puppy throw-up," it's just not funny. The end of the novel, set in an "Elvisorium" full of gay Elvis impersonators in Las Vegas, will leave the few who have gotten that far completely bewildered.
As one of a small group of authors who won literary credibility for dystopian fiction, Atwood has taught her readers to expect better.Pub Date: Sept. 29, 2015
ISBN: 978-0-385-54035-3
Page Count: 320
Publisher: Nan A. Talese
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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