In a richly textured psychological ghost story set at the summer solstice and Christmas, New Zealand's two-time Carnegie-winner delivers another fascinating novel that defies summarization. When the Hamilton's large, extended family returns to their seaside house, Carnival's Hide, the younger children ritually report their arrival to Teddy Carnival, ghost of the builder's son, drowned three generations ago. A trio of brothers arrive claiming to be Carnival descendants; accepted at face value by most of the family, they are recognized by middle child and budding novelist Harry (Ariadne) as the ghosts of Teddy's multiple personalities—Ovid (mind, a master of metamorphoses); Hadfield (instinct—al one point he tries to rape Harry): and Felix (the heart, submerged in life but striving toward dominance in the course of the story; he and Harry fall in love). An array of other love relationships, both lifelong and transitory, are transformed during the tricksters' appearance: Harry, especially, moves from a childish romanticism to a more mature understanding, although she has always been the quiet observer who has understood the drama around her better than its participants. Mahy fills her stories with insights illumined by their contexts: "Have I made love with a ghost'?" . . ."It's what writers do, isn't it?" Her names are suggestive; her characters are as original and individual as any in print—bitchy eldest child Christobel Hamilton, manipulative charmer, is particularly vivid; it's she who learns that ". . .the real trick is to use the tricks, but never forget the truth"—because, in this spellbinding tapestry of people and ideas, mystery and concealed parentage, there are many more tricksters than the surprisingly corporeal ghosts.
Pub Date: March 1, 1989
ISBN: 0689829108
Page Count: 276
Publisher: Macmillan
Review Posted Online: May 3, 2012
Kirkus Reviews Issue: Feb. 15, 1987
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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