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WHEN THE WORLD WAS YOUNG

In a short foreword to this volume, subtitled ``Creation and Pourquoi Tales,'' Mayo (Magical Tales from Many Lands, 1993, etc.) offers readers a clear, simple explanation of the importance of such stories in every culture. Her beautiful book, illustrated with Brierley's glowing earth-toned watercolors, puts forth ten tales from cultures as diverse as the Akan-Ashanti of Ghana and the Unalit of Alaska. In ``Tortoise's Big Idea,'' from the Nupe people of Nigeria, the tortoises and a man and a woman give up immortality for the joy of having children (the stones, who have no children, never die). In a Polynesian story, a maiden sacrifices her long hair to harness the sun. Mayo's enthusiasm for her material is clear; the language has the lyrical quality of poetry, reflecting distinct rhythms and speech patterns of the cultures she's depicting. An afterword identifies the sources of these treasures. (Folklore. 5-10)

Pub Date: Oct. 1, 1996

ISBN: 0-689-80867-4

Page Count: 75

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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PLANTZILLA

“Little Shop of Horrors” for the teddy bear set? Not at all, despite similarities: in this warmhearted tale, a tropical plant with a taste for meat goes from scary houseguest to beloved family member. Nolen (Max and Jax in Second Grade, p. 342, etc.) sketches the plot in a series of letters from young Mortimer Henryson and his parents to Mortimer’s science teacher, Mr. Lester. Having sat next to “Plantcilia” all through third grade, Mortimer begs permission to bring it home for the summer, but after it proves to be both mobile and carnivorous (the family Chihuahua vanishes), his mother is beseeching Mr. Lester to take it back. With characteristic comic extravagance, Catrow (We the Kids, p. 564, etc.) fleshes out the details in a series of frenetic scenes increasingly crowded with long, snaky tendrils, ragged leaves, and bulbous green appendages with ominously toothy rims. As the summer goes on, however, Plantzilla proves less a menace than an eager asset, as capable of playing field hockey with Mortimer as jazz for his boogying parents—even spitting out the unharmed dog and, ultimately, writing a letter of its own: “PEEEple Gooood. I wil sta widdem fro ever!” Readers, plant-lovers or otherwise, will find this vegetative visitor taking root in their affections too. (Picture book. 6-8)

Pub Date: Sept. 1, 2002

ISBN: 0-15-202412-3

Page Count: 32

Publisher: Silver Whistle/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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THE HUNCHBACK OF NOTRE DAME

The Hunchback of Notre Dame (40 pp.; $15.95; Sept. 1997; 0-531- 30055-2): A storybook retelling of Hugo's classic of the lonely bellringer and his hopeless love for the beautiful gypsy girl, Esmerelda, whom he rescues from hanging and the evil archdeacon Dom Frollo and reunites with her mother. While remaining relatively faithful to the original, this version from Wynne- Jones (The Maestro, 1996, etc.) is always competent, but never compelling. Slavin creates lovely illustrations, but his pale washes leave even the most festive scenes sedate. The volume lacks power or emotion; adults seeking an alternative—any alternative—to the Disney film may find that this one hardly competes for the hearts and minds of the target audience. (Fiction. 5-8)

Pub Date: Sept. 1, 1997

ISBN: 0-531-30055-2

Page Count: 40

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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