A series of redolent snapshots and memories that seem to halt time.
Lyrical reflections on the relentless cycle of birth and death by Nashville-based New York Times contributing opinion writer Renkl.
In this unusual and poignant memoir, the author, editor of the online literary journal Chapter 16, alternates in short chapters between her current life as a happily married mother of grown children living in Nashville, Tennessee, and her years growing up in rural Alabama surrounded by a loving extended family. Her narrative metaphor becomes the miraculous order of nature, especially the lives of wild birds she observes from her home office as they devote their brief lives to making nests for and feeding the young only to be, in many cases, fodder for larger prey that must nourish their own fledglings. Renkl’s mother, Olivia, was born in lower Alabama in 1931; married a Catholic man—“my grandfather had never laid eyes on a Catholic before he met his future son-in-law”—and gave birth to the author in 1961. Renkl was so anticipated and adored by the family that in pictures, “they are looking at me as if I were the sun, as if they had been cold every day of their lives until now.” As a child, the author remembers her mother often despondent, stricken by postpartum depression. The family moved to Birmingham in 1968, during the turbulent civil rights era, yet Renkl was sheltered from the greater troubles within the bosom of her family. In 1984, the author attempted a semester of graduate school in Philadelphia, but she was so traumatized by the noise and dislocation that she quickly returned to the South and attended school in South Carolina. Renkl describes the deaths of many of her elders (and her sometimes-onerous role as their late-life caretaker), but the strength of her narrative is in the descriptions of nature in all its glory and cruelty; she vividly captures “the splendor of decay.” Interspersed with the chapters are appealing nature illustrations by the author’s brother.
A series of redolent snapshots and memories that seem to halt time.Pub Date: July 9, 2019
ISBN: 978-1-57131-378-2
Page Count: 248
Publisher: Milkweed
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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