A well-written tale brings to life the twilight years of a captivating historical figure.
This historical novel focuses on Napoleon’s last years, awash in intrigue and poignant with loss.
After the defeat at Waterloo, Napoleon is exiled to St. Helena in the South Atlantic, about as far away from France as possible. He comes with a small entourage, among them his faithful valet, Marchand; Albine, Countess de Montholon, and her husband, Charles; and Napoleon’s childhood friend Francesco Cipriani. Napoleon’s nemesis on the island is the governor, Gen. Sir Hudson Lowe, a petty and vindictive bureaucrat. The five years on St. Helena are filled with Napoleon’s longings, chiefly that he will likely never again see his young son, “the Eaglet,” who was spirited off to Vienna by his mother, Marie Louise. These are years of treachery—an underlying theme is Napoleon’s lifelong realization that he can never completely trust anyone—and plots to escape or seek medical release that, as readers know, will come to naught. The narrative consists of those parts focusing on Napoleon, those sections related by Albine, and excerpts from the novella Clisson et Eugénie that the former leader worked on his whole life. The novella is fleshed out by Rodenberg, who deserves kudos as a rigorous researcher and gifted writer. Two characters really stand out in this intricate tapestry: Napoleon (no surprise) and Albine. Napoleon comes across as imperious when need be but also kind and unpretentious, reflecting his humble beginnings on Corsica. And Albine is a true wonder. Good at heart, she is the classic survivor. She always has a crust of bread in her pocket—a very nice touch—and is not above petty thievery and the useful lie. She is also Napoleon’s mistress and bears him a daughter, Joséphine, who, alas, dies some months after Albine makes it back to Europe. And then there’s Tobyson, the little boy who adores Napoleon and is a stand-in, in a way, for the Eaglet. The little acolyte brings out the best in the fallen emperor. An afterword helpfully separates fact from fiction.
A well-written tale brings to life the twilight years of a captivating historical figure. (acknowledgements, author bio)Pub Date: April 6, 2021
ISBN: 978-1-64742-016-1
Page Count: 393
Publisher: She Writes Press
Review Posted Online: Jan. 4, 2021
Kirkus Reviews Issue: Feb. 15, 2021
Review Program: Kirkus Indie
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
A touching novel about loss with a magical and mystical flourish.
A young man helps the living and dead meet one last time under the full moon.
Japanese bestseller Tsujimura’s quiet novel follows a mysterious teenager known as the go-between, who can set up meetings between the living and the dead. An introverted woman wants to meet the television star with whom she has a parasocial relationship. A cynical eldest son hopes to visit his mother about their family business. A devastated high schooler fears she is responsible for her friend’s tragic death. And, finally, a middle-aged workaholic finally feels ready to find out if his fiancée, who disappeared seven years ago, is dead. Each character has a uniquely personal reason for seeking out the deceased, including closure and forgiveness, as well as selfishness and fear. Imbued with magic and the perfect amount of gravitas, there are many rules around these meetings: Only the living can make requests and they can only have one meeting per lifetime. Additionally, the dead can deny a meeting—and, most importantly, once the dead person has met with a living person, they will be gone forever. With secrets shared, confessions made, and regrets cemented, these meetings lead to joy and sorrow in equal measure. In the final chapter, all of these visits—and their importance in the go-between’s life—begin to gracefully converge. As we learn the go-between’s identity, we watch him struggle with the magnitude and gravity of his work. At one point, he asks: “When a life was lost, who did it belong to? What were those left behind meant to do with the incomprehensible, inescapable loss?” Though the story can be repetitive, Tsujimura raises poignant and powerful questions about what the living owe not only the dead, but each other; and how we make peace with others and ourselves in the wake of overwhelming grief.
A touching novel about loss with a magical and mystical flourish.Pub Date: Aug. 26, 2025
ISBN: 9781668099834
Page Count: 272
Publisher: Scribner
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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