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GHOSTING THE NEWS

LOCAL JOURNALISM AND THE CRISIS OF AMERICAN DEMOCRACY

A no-nonsense retort to the notion that we live in a time of abundant information.

A dire warning on the decline of daily newspapers and the danger that their disappearance poses for democracy.

Anybody who follows the media business is familiar with the broad outline of the problem the author lays out in this unapologetically dour book: Newspapers have shuttered with distressing speed in recent years—more than 2,000 since 2004, she reports—and many of the ones that remain are shadows of their former selves. Sullivan, a media columnist at the Washington Post, used to be the top editor at one of those, the Buffalo Evening News, and she shares her own glimpses of the decline. However, the author’s goal isn’t to lament the good old days of once-mighty businesses. Instead, she trains her eyes on the “news deserts” that now litter the landscape and voices concern about how corruption will consume communities that no longer have media watchdogs. For instance, the Vindicator in Youngstown, Ohio, used to send reporters to all area school-board meetings, a manager told her, and “people knew that…and they behaved.” But now TV news and online outlets aren’t picking up the slack, and though nonprofit news sources have emerged, they don’t have the reach or stability that newspapers once claimed. Combine that with social media platforms that allow misinformation to spread, and it’s no wonder local civic discourse has degraded into meme-vs.-meme slap fights. (Sullivan is careful to note that this is hardly just an American problem.) What to do? The author chronicles her discussions with the leaders of some promising startups and considers more radical ideas, such as federal subsidies for media. But her glass is resolutely half-empty: She predicts that “American politics will become even more polarized; government and business corruption will flourish, the glue that holds communities together will weaken."

A no-nonsense retort to the notion that we live in a time of abundant information.

Pub Date: July 28, 2020

ISBN: 978-1-73362-378-0

Page Count: 116

Publisher: Columbia Global Reports

Review Posted Online: April 27, 2020

Kirkus Reviews Issue: May 15, 2020

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STRONG FEMALE CHARACTER

An unflinching self-portrait.

The tumultuous life of a bisexual, autistic comic.

In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.

An unflinching self-portrait.

Pub Date: June 6, 2023

ISBN: 9780593582503

Page Count: 288

Publisher: Harmony

Review Posted Online: March 10, 2023

Kirkus Reviews Issue: April 1, 2023

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SORRY NOT SORRY

The choir is sure to enjoy this impassioned preaching on familiar progressive themes.

Essays on current political topics by a high-profile actor and activist.

Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.

The choir is sure to enjoy this impassioned preaching on familiar progressive themes.

Pub Date: Oct. 26, 2021

ISBN: 978-0-593-18329-8

Page Count: 272

Publisher: Dutton

Review Posted Online: Aug. 16, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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