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GUARDIANS OF THE LOST

VOL. II, THE SOVEREIGN STONE TRILOGY

A straightforward quest tale that loses its way under the annoying intricacies of the larger conflict among good, evil and...

From a pair of prolific fantasy writers, a massive and for the most part monotonous continuation of events first seen in Well of Darkness (2000). Having vanquished his half brother and aligned himself with the evil power of the Void, Prince Dagnarus, ever so youthful (though he’s 200 years old), now needs only to get his hands on the Sovereign Stone and he’ll rule all of Loerem. (The Stone is a magical gem that has been split in four parts, each giving the person who knows how to use it powers over human and nonhuman inhabitants.) In the previous installment, Weis and Hickman, adopting this standard fantasy plot, invested their medieval-Tolkien pastiche of a world with an unusual depth while retaining requisite amounts of sword and sorcery. Here, the opening is a chiller, with Lord Gustav discovering one of the stones in a moldering grave, then defeating a hideously vicious Vrykyl (an intelligent corpse with magical powers) but finding himself slowly dying of a wound from the Vrykyl’s magically lethal knife (a weapon, we discover, that Vrykyls also use to communicate with each other). The dying Gustav is discovered by the dwarf Wolfram, the human boy Jessan, and his elf buddy Bashae, who take him to a village of Trevinci warriors, where a young mad girl utters dark prophecies that, Cassandra-like, are not believed. Heeding the advice of the village’s matriarchal healer, Gustav lets fate decide who will bring the stone to an elfin lady opposing Dagnarus—and who will be the decoy. Jessan’s warrior uncle Ravenstrike must also get rid of the Vrykyl’s oozing armor by giving it to the High Magus, a sorcerer who, unbeknownst to everyone, is actually the evil Vrykyl Shakur inhabiting the Magus’s corpse, now acting on Dagnarus’s behalf.

A straightforward quest tale that loses its way under the annoying intricacies of the larger conflict among good, evil and the adroitly confused.

Pub Date: Nov. 13, 2001

ISBN: 0-06-105179-9

Page Count: 592

Publisher: Eos/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

Categories:
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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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