Sixth entry in the authors' sprawling, grand-scale Death Gate fantasy series (The Hand of Chaos, p. 30, etc.). This time, protagonists Haplo the Patryn, whose magic derives from his tattoos, and Albert, the bumbling but mysteriously powerful Sartan, enter the Labyrinth—the deadly prison maze whence Haplo escaped in the inaugural volume. Like the previous entries, this one is far from independently intelligible; neither has the authors' technique—ranging from the wretched dialogue through the hopelessly flawed logic of the entire Death Gate notion—shown any sign of improvement. Still, the Weis & Hickman yarns sell exceedingly well. Why? Because they do. Stay tuned for the seventh- -and last—volume.
Pub Date: Nov. 15, 1993
ISBN: 0-553-09539-0
Page Count: 448
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1993
An exciting, thought-provoking mind-bender.
In Crouch’s sci-fi–driven thriller, a machine designed to help people relive their memories creates apocalyptic consequences.
In 2018, NYPD Detective Barry Sutton unsuccessfully tries to talk Ann Voss Peters off the edge of the Poe Building. She claims to have False Memory Syndrome, a bewildering condition that seems to be spreading. People like Ann have detailed false memories of other lives lived, including marriages and children, but in “shades of gray, like film noir stills.” For some, like Ann, an overwhelming sense of loss leads to suicide. Barry knows loss: Eleven years ago, his 15-year-old daughter, Meghan, was killed by a hit-and-run driver. Details from Ann’s story lead him to dig deeper, and his investigation leads him to a mysterious place called Hotel Memory, where he makes a life-altering discovery. In 2007, a ridiculously wealthy philanthropist and inventor named Marcus Slade offers neuroscientist Helena Smith the chance of a lifetime and an unlimited budget to build a machine that allows people to relive their memories. He says he wants to “change the world.” Helena hopes that her mother, who suffers from Alzheimer’s, will benefit from her passion project. The opportunity for unfettered research is too tempting to turn down. However, when Slade takes the research in a controversial direction, Helena may have to destroy her dream to save the world. Returning to a few of the themes he explored in Dark Matter (2016), Crouch delivers a bullet-fast narrative and raises the stakes to a fever pitch. A poignant love story is woven in with much food for thought on grief and the nature of memories and how they shape us, rounding out this twisty and terrifying thrill ride.
An exciting, thought-provoking mind-bender.Pub Date: June 11, 2019
ISBN: 978-1-5247-5978-0
Page Count: 336
Publisher: Crown
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.
A novelist tries to adapt to her ever changing reality as her world slowly disappears.
Renowned Japanese author Ogawa (Revenge, 2013, etc.) opens her latest novel with what at first sounds like a sinister fairy tale told by a nameless mother to a nameless daughter: “Long ago, before you were born, there were many more things here…transparent things, fragrant things…fluttery ones, bright ones….It’s a shame that the people who live here haven’t been able to hold such marvelous things in their hearts and minds, but that’s just the way it is on this island.” But rather than a twisted bedtime story, this depiction captures the realities of life on the narrator's unnamed island. The small population awakens some mornings with all knowledge of objects as mundane as stamps, valuable as emeralds, omnipresent as birds, or delightful as roses missing from their minds. They then proceed to discard all physical traces of the idea that has disappeared—often burning the lifeless ones and releasing the natural ones to the elements. The authoritarian Memory Police oversee this process of loss and elimination. Viewing “anything that fails to vanish when they say it should [as] inconceivable,” they drop into homes for inspections, seizing objects and rounding up anyone who refuses—or is simply unable—to follow the rules. Although, at the outset, the plot feels quite Orwellian, Ogawa employs a quiet, poetic prose to capture the diverse (and often unexpected) emotions of the people left behind rather than of those tormented and imprisoned by brutal authorities. Small acts of rebellion—as modest as a birthday party—do not come out of a commitment to a greater cause but instead originate from her characters’ kinship with one another. Technical details about the disappearances remain intentionally vague. The author instead stays close to her protagonist’s emotions and the disorientation she and her neighbors struggle with each day. Passages from the narrator’s developing novel also offer fascinating glimpses into the way the changing world affects her unconscious mind.
A quiet tale that considers the way small, human connections can disrupt the callous powers of authority.Pub Date: Aug. 13, 2019
ISBN: 978-1-101-87060-0
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 12, 2019
Kirkus Reviews Issue: June 1, 2019
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