Take an old story by a skilled wordsmith (the text dates from 1953 and was originally accompanied by Esphyr Slobodkina’s illustrations), add cheerful, cuddly illustrations and a fresh new ABC book that’s also a bedtime tale is born. From “A is for Aaaah / when a small / kitten sighs” to “Z is for Zipper. / Now zip into bed,” the simple rhymes for each letter of the alphabet are illustrated with Katz’s signature multicultural, round-headed, roly-poly kids. The choice of words is not typical or obvious; instead of B for blanket, “B is for Baaaaa / when the lambs / close their eyes,” and C is for caw “when the last crow crows.” L is for listening; D is for dreams; U is for nothing Under the bed; and “X is for all the things you can play.” The book is a companion to Brown’s A Child’s Good Morning Book (2009), also illustrated by Katz. It’s bound to find its way to many a bedside table, to be rightly enjoyed by a new generation. (Picture book. 3-6)
Pub Date: Jan. 1, 2010
ISBN: 978-0-06-128863-0
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2009
A visual feast of cityscape shapes.
Rhyming text and brilliant multimedia collage combine to follow a girl’s journey through her beloved city.
Part concept book, part love letter to urban beauty, Murray and Collier’s collaboration highlights an African-American girl’s observations about the many shapes she sees in and around her city. In his illustrator’s note, Collier tells readers that he modeled the little girl on his own daughter, and Murray’s author’s note shares that she was inspired to write her rhyming verse by her many walks around New York City. The text’s pattern first highlights many different items that share a given shape and then names that shape before moving on to another list. A postal truck, a pretzel cart, "and stacks of brown packages hauled up the stairs" are all squares, for instance. Collier fills every page, allowing art to take up entire double-page spreads, and his distinctive collage technique is particularly well-suited to highlighting the shapes named by the text. He also pushes well beyond merely visually reiterating the items the text lists, and the result is a seamless interdependence of art and text that will allow readers to find the named items while also providing ample visual interest to reward poring over the illustrations.
A visual feast of cityscape shapes. (Picture book. 3-6)Pub Date: June 21, 2016
ISBN: 978-0-316-37092-9
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
Lovely to look at; frustratingly inaccurate.
A brother and sister walk through woods and town, acknowledging autumn and welcoming winter in this picture book.
Expanding on Goodbye Summer, Hello Autumn (2016), author/illustrator Pak continues the theme, this time with a black-haired, brown-skinned boy and girl who ramble through woods, town, and countryside as they converse with the trees, birds, horses, sheep, deer, snow, and wind, saying goodbye to fall and hello to winter. The digitally enhanced watercolor-and-pencil illustrations are as quiet and graceful as the slow passage of the seasons. Diversity, both ethnically and culturally (a Kwanzaa kinara, a Jewish menorah, and a star-topped Christmas tree are all included in the illustrative details, as are various colors of people), is well-represented. But many of the nature facts in the text are inaccurate. Cardinals don’t “fly far, far south,” daisies of the type illustrated do not bloom in the late autumn, and autumn evenings (as opposed to nights) are shorter, not longer. Such lapses make the whole story suffer. Factual errors aside, the story flows well—its cadence is serene and accepting, with a pleasant, otherworldly quality that is reinforced by the soft double-spread illustrations.
Lovely to look at; frustratingly inaccurate. (Picture book. 3-6)Pub Date: Sept. 19, 2017
ISBN: 978-1-62779-416-9
Page Count: 32
Publisher: Godwin Books
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
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