Life, it seems, continues on an imperturbable course in cozy Northtown until the arrival of two strangers. One is Emily Frost, whom her godmother Isabel Vernon, though she hasn’t seen her for many years, bails out of prison after she’s arrested for an environmental demonstration turned violent. The other is Godfrey Sutton, paid off long ago to leave sheltered Alice Watkinson alone, who now returns to find that he’s got a four-year-old daughter, Rowena. With a few deft strokes, Yorke (Act of Violence, 1998, etc.) brings these two lost souls together but doesn’t move them to share their secrets: Godfrey, that Rowena Watkinson is the daughter he’s determined to get access to; Emily, that she isn’t Emily Frost at all. As the two plot at darkly comic cross-purposes—Godfrey’s designs against Alice and the frail parents who booted him out turning from extortion to abduction—Yorke patiently reveals the ways in which these two pariahs are expressing the resentment that’s already been seething inside lonely Alice Watson and ill-matched Isabel and her primly minatory husband Douglas, civil servant and landscape gardener (one of the author’s slyest portraits of engorged self-satisfaction). Even after the final quiet twist, you’ll be wishing you could spend more time among Yorke’s dextrously skewered misfits.
Pub Date: April 6, 1999
ISBN: 0-312-19975-9
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
In seeking to extend his formidable range, Coben overreaches: the far-flung complications feel forced and schematic rather...
A Manhattan money manager who once had it all is threatened with losing most of it in Coben’s latest greased-lightning domestic thriller.
Things haven’t been that great for Simon Greene ever since his daughter, Paige, dropped out of college and disappeared. But his world turns much darker the day that, following a tip, he sees her playing guitar in Central Park and tries to talk to her. Paige, clearly strung out on drugs, takes off, and the closest Simon comes to catching her is punching her companion, junkie Aaron Corval, in the face. His attack, captured on the phone videos of passers-by, goes viral, and he’s rebuked by millions of strangers. Three months later, Bronx Homicide Detective Isaac Fagbenle turns up in Simon’s office asking questions about the murder of Aaron, who vanished instead of sticking around to press charges. Simon and his pediatrician wife, Ingrid, go to visit the crime scene in the hope of picking up Paige’s trail, and moments after one of Aaron’s scuzzball neighbors warns them, “Even if you find her, this story won’t have a happy ending,” bullets fly, sending Ingrid to the hospital in a coma. Meanwhile, Chicago PI Elena Ramirez is hired to find the missing adopted son of wealthy Sebastian Thorpe III, and a mysterious pair named Ash and Dee Dee are executing a laid-off meat packer in Boston and a tattoo artist in suburban New Jersey. Clearly all this mayhem is somehow connected, and readers spoiled by Coben’s long history of triple-barreled thrillers (Don’t Let Go, 2017, etc.) will be turning the pages with bated breath. But the broadly hinted connection, a Maine religious commune to which Dee Dee professes undying loyalty, is more cartoonish than compelling, and the alternating chapters recounting the investigations of Simon and Elena dilute the suspense instead of intensifying it. By the time the double-twist payoff arrives, fans will be torn between dissatisfaction and relief.
In seeking to extend his formidable range, Coben overreaches: the far-flung complications feel forced and schematic rather than nightmarish. Wait till next year.Pub Date: March 19, 2019
ISBN: 978-1-5387-4846-6
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
BOOK TO SCREEN
One protest from an outraged innocent says it all: “This is America. This is Wyoming.”
Once again, Wyoming game warden Joe Pickett gets mixed up in a killing whose principal suspect is his old friend Nate Romanowski, whose attempts to live off the grid keep breaking down in a series of felony charges.
If Judge Hewitt hadn’t bent over to pick up a spoon that had fallen from his dinner table, the sniper set up nearly a mile from his house in the gated community of the Eagle Mountain Club would have ended his life. As it was, the victim was Sue Hewitt, leaving the judge alive and free to rail and threaten anyone he suspected of the shooting. Incoming Twelve Sleep County Sheriff Brendan Kapelow’s interest in using the case to promote his political ambitions and the judge’s inability to see further than his nose make them the perfect targets for a frame-up of Nate, who just wants to be left alone in the middle of nowhere to train his falcons and help his bride, Liv Brannon, raise their baby, Kestrel. Nor are the sniper, the sheriff, and the judge Nate’s only enemies. Orlando Panfile has been sent to Wyoming by the Sinaloan drug cartel to avenge the deaths of the four assassins whose careers Nate and Joe ended last time out (Wolf Pack, 2019). So it’s up to Joe, with some timely data from his librarian wife, Marybeth, to hire a lawyer for Nate, make sure he doesn’t bust out of jail before his trial, identify the real sniper, who continues to take an active role in the proceedings, and somehow protect him from a killer who regards Nate’s arrest as an unwelcome complication. That’s quite a tall order for someone who can’t shoot straight, who keeps wrecking his state-issued vehicles, and whose appalling mother-in-law, Missy Vankeuren Hand, has returned from her latest European jaunt to suck up all the oxygen in Twelve Sleep County to hustle some illegal drugs for her cancer-stricken sixth husband. But fans of this outstanding series will know better than to place their money against Joe.
One protest from an outraged innocent says it all: “This is America. This is Wyoming.”Pub Date: March 3, 2020
ISBN: 978-0-525-53823-3
Page Count: 368
Publisher: Putnam
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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