A story of the lifetime bonds of sisterhood that also touches on the paranormal subtext inherent in magic acts.
A winding tale of two sisters pulled together and pushed apart by fame, magic, and the cult of celebrity.
After a yearslong hiatus from performing following a disastrous Las Vegas show, Violet Volk—magician, self-help author, motivational speaker, and celebrity—stages a comeback in her hometown of Willow Glen, New Jersey. But during the big disappearing-act finale, the Flaming Angel, she fails to reappear as expected. Slowly, the audience and security come to realize that Violet is well and truly gone. Ten years later, her fans—the Wolf Pack—have remained obsessed with her disappearance, and the annual candlelight vigil at the location of her last show will be a huge event to mark the anniversary. Her sister, Sasha Dwyer, is still angry at Violet in the way that only sisters can be: for slights perceived and real, for actions that hurt her and those she loves. Sasha’s husband, Gabriel, has spent decades trying to protect her from the worst of Violet’s egoism. Their daughter, Quinn, is nearing college graduation and trying to figure out her future, her past, and what it means to be Violet Volk’s niece. A podcast about Violet’s life and disappearance is being taped, and host Cameron Frank is pulling out all the stops to try to get Sasha to appear. Author Montimore has written a layered story told in fragments of documents, emails, podcast transcripts, and narrated segments that jump through time, place, and voice. It’s a whirlwind of information and characters, much like a magic show with smoke, mirrors, and misdirection consuming the viewer’s attention before the final big reveal: Is Violet alive or dead? And if she is alive, where has she been for 10 years?
A story of the lifetime bonds of sisterhood that also touches on the paranormal subtext inherent in magic acts.Pub Date: July 5, 2022
ISBN: 978-1-250-81506-4
Page Count: 336
Publisher: Flatiron Books
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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