A compilation that delights on many levels and will appeal to anyone who has struggled or embraced the idea of home sweet...
A diverse collection of essays that delve into the fraught concept of home as both a physical and emotional space.
Editors Kahn (Horses that Buck: The Story of Champion Bronc Rider Bill Smith, 2008) and McMasters (Welcome to Shirley: A Memoir from an Atomic Town, 2008) both contribute essays, and the other contributors vary widely in their viewpoints and characteristics, including geographic location, ethnicity, culture, religion, age, and sexuality. Yet common themes and motifs weave throughout the book—e.g., mothers and maternal figures and the significance of landscape, which assumes the starring role in the pieces by Terry Tempest Williams and Pam Houston. For other writers, home failed to offer refuge and became a place of danger or emotional strain, such as Amanda Petrusich’s home near the Indian Point nuclear plant. Elsewhere, something as mundane as a garage door opener triggers emotional turmoil for the once-homeless Maya Jewell Zeller. Tara Conklin explores the issues involved in leaving your hometown and never really finding home, while Claudia Castro Luna chronicles her struggle to feel at home in America after leaving El Salvador. McMasters’ essay on leaving the city and beginning a new life in a country farmhouse is intense and raw. When a vacation home becomes a permanent residence, she discovered, dreams often shatter: “I thought we would bloom in the country; M. took root, but I withered. I tried growing things, to offset the blood and brutality that seemed to accompany the country life, but I couldn’t—I am no farmer.” One of the joys of any collection of essays is discovering new writers, and the editors’ inclusion of a concise overview of each woman’s work should help readers explore further. Other contributors include Leigh Newman, Jennifer Finney Boylan, and Dani Shapiro.
A compilation that delights on many levels and will appeal to anyone who has struggled or embraced the idea of home sweet home.Pub Date: Nov. 14, 2017
ISBN: 978-1-58005-668-7
Page Count: 336
Publisher: Seal Press
Review Posted Online: Sept. 13, 2017
Kirkus Reviews Issue: Oct. 1, 2017
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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