This is a whip-smart mystery and a moving meditation on the consumption of female bodies all rolled into one.
When a provocative painter goes missing on the opening night of her show, a museum copywriter falls back on her investigative roots.
Kim Lord enjoys shocking her audiences, and Still Lives, her latest exhibition for LA’s high-flying Rocque Museum, is no exception. Drawing on media coverage of murdered women, Lord produces a grisly set of paintings depicting the slain forms of Judy Ann Dull, Nicole Brown Simpson, and the Black Dahlia. The exhibition is “an indictment of our culture’s obsession with sensationalized female murders,” and Maggie Richter, the museum’s in-house writer/editor, can barely stomach it—for more reasons than one. A few months earlier, her live-in boyfriend, the gallerist Greg Shaw Ferguson, left Maggie for Lord, a humiliation she’s still struggling to live down. When Lord fails to show for her big opening night, everyone suspects foul play—and Greg. But will Maggie be able to uncover what really happened in time? And who is she really trying to save by digging into Lord’s disappearance? In this taut take on noir, misogyny, and the art of responsible storytelling, Hummel (Motherland, 2014, etc.) balances the glitz and glam of the Los Angeles art world with the town tourists don’t often see, from peeling, postwar bungalows to skid row tent cities and suffering junkies. There’s a full cast of supporting characters, including Kevin, an earnest East Coast reporter covering the gala; Hendricks, a private investigator who seems to know too much about Maggie; Yegina, Maggie’s talented and ambitious best friend; and a rotating gallery of suspicious art world collectors, carpenters, curators, and crew. At times the interpersonal dramas are larger-than-life, but this literary mystery has larger-than-life ambitions, too. “I hate this artwork,” Maggie thinks, standing in the gallery, fretting about Lord’s disappearance. “I hate the abject powerlessness it projects. I hate it because it reminds me there is an end for women worse than death.” But Lord, through the careful plotting of Hummel, is determined to make you look.
This is a whip-smart mystery and a moving meditation on the consumption of female bodies all rolled into one.Pub Date: June 5, 2018
ISBN: 978-1-61902-111-2
Page Count: 288
Publisher: Counterpoint
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
Part budding romance, part compelling backstory, part prescient tale of racism: provocative on all fronts without being...
In the wake of family tragedy, does an oldest sister’s disappearance point to something even more nefarious?
As a child in Bartonville, Oregon, Emily Mills saw something terrible that she hasn’t been able to forget for 20 years. Even worse than seeing the body of her father, who was white, hanging from a tree in the backyard was seeing her older sister, Tara, at the scene of the crime. Tara leaves town and isn’t heard from again, so Emily can’t ask what she was doing there the fateful night their father was murdered. When their mother takes her own life shortly afterward, Emily and her youngest sister, Madison, never recover from the multiple traumas. Although they do their best to go on running Barton Diner, the family restaurant, Emily fears that her questions may never be answered. Though Chet Carlson was caught and eventually confessed to the crime, he’s still in prison when history seems to repeat itself through a double murder of interracial couple Sean and Lindsay Fitch, with Emily once again cast as the person who finds the bodies. Sean has a KKK sign carved into his head, which reminds Emily of whisperings about her father's racist connections. How else might the crimes be related? Rightfully not trusting the police to do a thorough investigation, Emily calls the FBI, which dispatches agents Zander Wells and Ava McLane to investigate. Elliot (Bred in the Bone, 2019) seems less interested in setting Emily up as part of the crime than in pairing her romantically with Zander. That’s just as well, because the who and why of the crimes feels almost incidental rather than displaying a deeper connection to any larger theme.
Part budding romance, part compelling backstory, part prescient tale of racism: provocative on all fronts without being quite satisfying on any.Pub Date: Jan. 14, 2020
ISBN: 978-1-5420-0672-9
Page Count: 336
Publisher: Montlake Romance
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
Be warned: It's a stay-up-all-night kind of book. Compulsively readable.
Amy Whey’s sins come back to haunt her when she’s extorted for money by a beautiful stranger in Jackson’s (The Almost Sisters, 2017, etc.) first thriller.
It was supposed to be book club as usual: a group of suburban mothers gathering to talk over a glass of wine or two and then going home to bed. But when new neighbor Angelica Roux shows up at hostess Amy’s door, it doesn’t take long for all hell to break loose. The booze flows freely, and soon the women are engaged in a game: What is the worst thing you did today? This week? This month? In your life? There are many women in the gathering with secrets to protect, but none more than Amy, who, as a teenager, committed a terrible crime that almost destroyed her. Saved by her love for diving, and then by meeting her husband and stepdaughter, Amy has worked hard to build a normal, stable life; she even has a new baby. Angelica has come to threaten all of this; she clearly knows about Amy’s past and will expose her to her loved ones if Amy doesn’t pay her. As Amy tries desperately to outscheme Angelica, she also realizes just how much she has to fight for—and what she might be willing to do to keep her family safe and her secrets buried. Jackson’s novel is chock-full of dramatic reveals and twisty turns, but she paces them out well, dropping them like regularly spaced bombshells. Just when the reader thinks they know what might lie at the heart of the novel, the ground shifts seismically, and the truth removes again to a distance. It’s skillfully done. Amy herself is an openly flawed and relatable character fighting to keep sacred the one thing she values most: her normal, loving, messy life.
Be warned: It's a stay-up-all-night kind of book. Compulsively readable.Pub Date: July 30, 2019
ISBN: 978-0-06-285531-2
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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