Most compelling when history intersects with the emotions of women figuring out their lives today.
Present and past mirror each other as an aged Russian woman tells her American granddaughter the story of their family’s struggles to survive the German invasion of the Soviet Union during World War II.
Kiev-born Kuznetsova begins her novel with a knowing nod to Russian literature: a formal character list that pointedly includes pet cats and gives clues to the plot ahead. The opening scene reads like a traditional framing device when Natasha, a Russian born, American-raised actress Skyping with her almost 90-year-old Baba Larissa in Kiev, asks for the full story behind how Larissa’s grandmother Tonya died in WWII. And at first, new mother Natasha’s typical millennial ambivalence toward domesticity seems less important than Larissa's story. In a tough, cynical voice devoid of sentimentality, Larissa describes how, in 1940, after a life of coddled comfort lasting through Communist rule, her suddenly penniless grandmother Tonya moved in with her engineer son, Fyodor, Larissa’s father. Soon Germany’s invasion forced Fyodor and family to evacuate Kiev to Lower Turinsk, accompanied by the Orlovs, a fellow engineer’s family. Tonya favored Larissa’s younger sister, Polya, whom the bookish 13-year-old Larissa considered a frivolous “lobotomized swan.” But family roles began to change as survival required increasingly difficult sacrifices and ethical choices. While Larissa discovered complicated romantic feelings toward the two Orlov brothers, Polya turned inward and Tonya grew pathetically demented. Meanwhile, the original framing device begins to dissolve as the secrets Larissa reveals (or keeps hidden) about herself and Tonya parallel the crises Natasha faces—loving her (unbelievably understanding) husband and infant daughter while becoming dangerously attracted to her husband’s friend Stas, who represents the free-spirited independence she craves. In shifting first-person narratives in which they analyze each other with assumptions that may or may not be accurate, Natasha and Larissa build a portrait of family love in all its variations.
Most compelling when history intersects with the emotions of women figuring out their lives today.Pub Date: April 13, 2021
ISBN: 978-0-525-51190-8
Page Count: 288
Publisher: Random House
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
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