illustrated by Sarah Jacoby by Maria Popova ‧ RELEASE DATE: Nov. 4, 2025
A loving acknowledgment of the joys of being “happy-alone,” told with care and delicious language.
An exploration of tranquility and solitude, glimpsed from a snug nook in the moon.
Re, a blue, hedgehoglike critter, wakes on a July morning, feeling lonely. The only solution? To go to the coziest place on the moon, of course! At precisely 7:26 (“a pretty number, a pretty hour”), Re hops a beam of light and in a mere 1.255 seconds is there. Immediately Re begins searching for the perfect spot, but what’s this? Someone’s already there, and for the same reasons as Re. Now the two can live in parallel tunnels, coming together once in a while but only when they like. Popova takes exquisite care to clarify to young readers that being by oneself can be a positive, even healing, act (“that feeling which feels like hearing your own voice singing back to yourself”). Evocative language punctuates the book in unexpected ways—the author notes that the coziest place on the moon is “a tube of a nook, as deep as a skyscraper is tall.” Backmatter explains that in 2022 NASA found tubes on the moon where the temperatures are around 63 degrees Fahrenheit. Jacoby's dreamlike art gives all characters an inner glow of their own, staving off the impenetrability of space in favor of light, warmth, and fuzz.
A loving acknowledgment of the joys of being “happy-alone,” told with care and delicious language. (Picture book. 3-6)Pub Date: Nov. 4, 2025
ISBN: 9781592704378
Page Count: 44
Publisher: Enchanted Lion Books
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
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by Maria Popova ; illustrated by Ping Zhu
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Peter Brown ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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by Erin Guendelsberger ; illustrated by Jennifer Zivoin
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by Erin Guendelsberger ; illustrated by Annelouise Mahoney
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