by Maria T Resele ‧ RELEASE DATE: June 24, 2013
In her debut cookbook, the author offers recipes and tips on preparing international dishes for family meals. Resele serves up a variety of inviting recipes, attractively packaged, in a volume that draws on a wide range of flavors, including both common (rosemary, thyme and balsamic vinegar) and less well-known items (kaffir leaves, galangal root and flax seed powder). Her cookbook is also diverse in other ways: It draws on her multicultural Indochinese-Japanese-Chinese heritage; her experience as a chef; and her training in biochemistry and nutrition. After some opening material, the book moves on to recipes that focus first on breakfast, then lunch, dinner or supper, followed by main courses, and then switching organizational principles with chapters on carbs, vegetables and desserts. Each recipe has an introduction and a nutritional analysis, and the book includes references and a glossary. Unfortunately, however, it has no index, and readers should be prepared for weights in grams. Recipes include standards—like Gazpacho, Polenta, and Baked Apples—as well as some interesting variations, like Kimchi made with spinach or arugula leaves. The range of cuisines shows up in the inclusion of dishes as varied as Fresh Egg Spaetzle, Ayam Rica-Rica, Miso Udon Soup, Beef Bulgogi, Tortellini Filling and Tortilla Tempeh Crumble. As appealing as some of these foods may be, errors at times undermine the credibility of the material. Contrary to the text, Plato did not write Epigram VII to (the mythological) Helen of Troy and may not have written it at all. Not only is Marie Antoinette not responsible for causing the French Revolution, as the book asserts, but she did not say “Let them eat cake” at all, let alone in October 1793. The most questionable statement about nutrition is that “a low carbohydrate diet has a negative effect on muscle building and the proper burning of fat,” an assertion at odds with studies that have shown that—given sufficient calories—people on low-carb diets either maintained or increased lean body mass, losing only body fat. The book also reflects editing lapses in its references to “corned” pomegranates and “gloves” of garlic, which could easily have been avoided. Well-seasoned recipes served up with prose that readers need to take with a pinch of salt.
Pub Date: June 24, 2013
ISBN: 978-1490561882
Page Count: 204
Publisher: CreateSpace
Review Posted Online: Feb. 18, 2014
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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