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NO MORE TANTRUMS

From the Big Kid Power series

Here’s hoping for many more titles in this excellent series.

A companion to Bye-Bye Binky and I Use the Potty (both 2016) aims to help little kids take charge of big feelings.

The cover art, rendered digitally in a limited palette of coral, brown, black, and white, contradicts the title right off the bat, as it depicts a child of color with light brown skin and shoulder-length, black, straight hair in midtantrum, her mouth agape, limbs rigid, eyes screwed tight, and tears shooting outward. The first-person text looks back to “When I was little and I didn’t get my way, I cried.” An accompanying series of pictures shows her making demands in various stages of a tantrum. She really loses control when her father, depicted with similar coloring and short, black hair, denies her a cupcake. At the height of her fit, the text shifts to the present tense and asks, “Do I still throw tantrums?” This prompts a page turn that signals how she’s found ways to calm herself, since “BIG KIDS DON’T THROW TANTRUMS.” She “take[s] a little break,” she takes deep breaths in and out, or she might get a hug from her dad. When he tells her again that she must wait for a cupcake, she good-naturedly says “A BIG KID’s gotta try!” A satisfying vignette in the backmatter note to caregivers shows her rewarded with a treat after all.

Here’s hoping for many more titles in this excellent series. (Picture book. 2-4)

Pub Date: Nov. 7, 2017

ISBN: 978-1-4521-6289-8

Page Count: 24

Publisher: Chronicle Books

Review Posted Online: Aug. 26, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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ISLE OF YOU

Treacle drips from every page. Find self-esteem elsewhere.

The voice of an omniscient narrator, who may or may not be a caregiver, speaks directly to an unhappy child with an invitation to a very special place.

The child follows directions to the beautiful title isle “just across the bay.” Ferried across by a toy elephant in a sailboat, the child is given an enthusiastic welcome by more adorable animals and some other children. The little one swims in a waterfall, rides a giant eagle, relaxes in a hammock, and happily engages with some of the other children. Several of the activities are stereotypically girl-associated, and the other children appear to be girls with varying skin tones and hair textures; the little protagonist has light skin and a brown pageboy and is only suggested as female. After elaborate entertainments and a sweet feast, the child is assured that “someone loves you very, very, very much” before being borne safely home. Deep purple, bright pastel pink, and yellow watercolors dominate the color palette, creating a magical, otherworldly atmosphere. But it is also somewhat creepy as well. The Isle of You exists only for the protagonist’s happiness, even the other children there, who appear to have no existence in the real world. Apparently intended to build self-esteem and comfort, it seems to encourage self-centeredness instead, as does the ending play on the pronunciation of the title words.

Treacle drips from every page. Find self-esteem elsewhere. (Picture book. 2-4)

Pub Date: Dec. 11, 2018

ISBN: 978-0-7636-9116-5

Page Count: 32

Publisher: Candlewick

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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LOVE YOU MORE

It’s nothing new, but it’s also clearly heartfelt.

A love song from parents to their child.

This title will seem quite similar to the many others about parents’ deep love for their children. The text is wholly composed of first-person declarations of parental love, and it’s juxtaposed with illustrations of the child with one or both parents. It’s not always clear who the “I” speaking is, and there are a few pages that instead use “we.” Most sentences begin with “I love you more” phrasing to communicate that nothing could undermine parental love: “I love you more than all the sleepless nights…and all the early, tired mornings.” The accompanying pictures depict the child as a baby with weary parents. Later spreads show the child growing up, and the phrasing shifts away from the challenges of parenting to its joys and to attempts to quantify love: “I love you more than all the blades of grass at the park…and all the soccer that we played.” Throughout, Bell’s illustrations use pastel tones and soft visual texture to depict cozy, wholesome scenes that are largely redundant of the straightforward, warm text. They feature a brown-haired family with a mother, father, and child, who all appear to be white (though the father has skin that’s a shade darker than the others’).

It’s nothing new, but it’s also clearly heartfelt. (Picture book. 2-4)

Pub Date: Aug. 14, 2018

ISBN: 978-1-4998-0652-6

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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