A powerful testimony to the enduring violence of harmful relationships and the profoundly difficult task of recovery.
Moving between New York City and Los Angeles, Stovall’s debut novel follows a Black millennial woman as she reckons with her past.
Living alone and working behind a museum’s welcome desk, Khaki Oliver receives a card from Fiona Davies, her white best friend from high school in a New York suburb. Reading Fiona’s baby shower invitation floods her with unwelcome memories, so instead of responding, she begins to craft a mixtape—obsessively replaying songs and reminiscing about the punk shows she attended as a teen embroiled in a distinctly unhealthy, codependent relationship with Fiona: “I try to remember what Fiona is. A full-body rush. A cursed experiment in collaboration. Someone to share things—a piece of gum; life—with.” Their friendship was all-consuming, an intoxicating blend of devotion, secrets, and lies, at once sustaining and destroying them both. When Khaki immersed herself in punk fandom—typically white, older, male—she experienced a dislocation between her sense of self and the ways she was perceived and treated by those around her. Things came to a head between the young women, and Khaki crossed the country to attend college in L.A., embarking on life without Fiona. Khaki’s mental health dominates the novel, with depression, anxiety, and disordered eating looming large over nearly every page. In one chapter, Stovall represents those disorders formally with huge blocks of numbers evoking calories consumed and burnt, weight lost and gained, without specific accounting—literally taking up space on the page the same way disordered thinking takes up mental space. In the aftermath of Fiona’s letter, Khaki’s ability to function wavers, and she reflects that “because of her, I’ve trained myself not to develop attachments to human beings. This seems to have improved my health. The stability is hard won and precarious. I’m better without her.”
A powerful testimony to the enduring violence of harmful relationships and the profoundly difficult task of recovery.Pub Date: Feb. 13, 2024
ISBN: 9781593767600
Page Count: 336
Publisher: Soft Skull Press
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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