Eight heartening reminders that there are few connections impossible to forge or mend.
Crotty’s second collection shares the everyday struggles and joys of women and girls peppered through Middle America.
There are no spectacles in these stories, and they are all the better for it. The characters, many of them queer, are familiar, well meaning, and flawed. The conflicts they face range from universal to less common, including first heartbreak, rocky transitions into adulthood, losing an infant, and surviving sexual assault. "Halloween" centers on high school senior Jules and her whirlwind romance, amid crushed toppings and sticky counters, with frozen yogurt–shop co-worker Erika, a college student. Advised by her kooky grandma Jan, Jules learns that while the most thrilling connections are not always the healthiest, that doesn’t mean you shouldn’t stick around to see what happens. The title story features 73-year-old Betsy, a volunteer for an organization that provides support to survivors in the aftermath of rape, and 23-year-old survivor Lenna. Though Betsy does not identify as a “do-gooder kind of person” and only began volunteering after her therapist suggested it would help her cope with estrangement from her only child, her compassionate presence lays the groundwork for connection between two lonely people. In "Dear Matt,” Caroline, newly graduated from law school and recovering from a breakup, implores her new brother-in-law to help her sister, Ella, forgive her after an explosive fight triggered by the clashes between Matt and (now) Ella’s Mormon beliefs and Caroline’s sexuality. While this story isn't as tight as some of the others, the letter format adds some nice variety to the collection, and the line “I realized this was her real and actual life, the one she wanted and meant to keep” is a gratifying distillation of a theme that runs through the book. Crotty repeatedly signals that it is not just all right, but good, to realize your perception of someone is fundamentally misaligned with their perception of themself; her characters make confident assumptions, feel surprised, back up, and reacquaint themselves with one another, becoming wiser and more tolerant with each misjudgment and readjustment.
Eight heartening reminders that there are few connections impossible to forge or mend.Pub Date: Oct. 11, 2024
ISBN: 9781637681008
Page Count: 168
Publisher: Autumn House Press
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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