Eight heartening reminders that there are few connections impossible to forge or mend.
Crotty’s second collection shares the everyday struggles and joys of women and girls peppered through Middle America.
There are no spectacles in these stories, and they are all the better for it. The characters, many of them queer, are familiar, well meaning, and flawed. The conflicts they face range from universal to less common, including first heartbreak, rocky transitions into adulthood, losing an infant, and surviving sexual assault. "Halloween" centers on high school senior Jules and her whirlwind romance, amid crushed toppings and sticky counters, with frozen yogurt–shop co-worker Erika, a college student. Advised by her kooky grandma Jan, Jules learns that while the most thrilling connections are not always the healthiest, that doesn’t mean you shouldn’t stick around to see what happens. The title story features 73-year-old Betsy, a volunteer for an organization that provides support to survivors in the aftermath of rape, and 23-year-old survivor Lenna. Though Betsy does not identify as a “do-gooder kind of person” and only began volunteering after her therapist suggested it would help her cope with estrangement from her only child, her compassionate presence lays the groundwork for connection between two lonely people. In "Dear Matt,” Caroline, newly graduated from law school and recovering from a breakup, implores her new brother-in-law to help her sister, Ella, forgive her after an explosive fight triggered by the clashes between Matt and (now) Ella’s Mormon beliefs and Caroline’s sexuality. While this story isn't as tight as some of the others, the letter format adds some nice variety to the collection, and the line “I realized this was her real and actual life, the one she wanted and meant to keep” is a gratifying distillation of a theme that runs through the book. Crotty repeatedly signals that it is not just all right, but good, to realize your perception of someone is fundamentally misaligned with their perception of themself; her characters make confident assumptions, feel surprised, back up, and reacquaint themselves with one another, becoming wiser and more tolerant with each misjudgment and readjustment.
Eight heartening reminders that there are few connections impossible to forge or mend.Pub Date: Oct. 11, 2024
ISBN: 9781637681008
Page Count: 168
Publisher: Autumn House Press
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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