Occasionally long-winded but, nonetheless, a comic glimpse into the life of addiction.
A doorstopper-sized third novel from Keyes (Watermelon, 1998; Lucy Sullivan is Getting Married, 1999) exhibits her signature wit but is sometimes slowed by exposition.
From the family introduced in Keyes's first outing, we're introduced to Rachel as she's coming out of a New York hospital after a drug overdose, an episode she's just chalking up to another night of partying. And when her sister flies to New York to escort her home to Ireland to enter into a treatment center, she can't fathom what all the fuss is about. But thanks to Dad, who has virtually had her fired from her job, her boyfriend Luke, who breaks up with her, and childhood friend Brigit, who is kicking her out of their apartment, Rachel "decides" a holiday back home might be nice. And it's not just any treatment center, but the Cloisters, Ireland's own Betty Ford Clinic, filled with celebrities and offering what Rachel assumes will be a two-month vacation. How wrong she is. With not a rock star in sight, Rachel soon discovers that the Cloisters is a no-nonsense place, a little dingy and filled with middle-aged alcoholics (how depressing), druggies (how nasty), and an assortment of other addicts who are nothing like Rachel, just a fun-loving gal. Denial is the operative word, and Rachel soon discovers that it's everybody's modus operandi: to listen to the inmates, no one has a problem. Still, thanks to all-day therapy sessions and a Gestapo-like nun for a counselor, Rachel concedes that perhaps she overdid it on occasion, and when ex-boyfriend Luke comes to testify that her 24-hour drug use ruined their relationship, Rachel breaks down and begins to heal. Though she offers a lively cast, Keyes too often lets her pace slow when explaining the journey to acceptance and recovery, a damper on the story's humor and appeal.
Occasionally long-winded but, nonetheless, a comic glimpse into the life of addiction.Pub Date: Aug. 1, 2000
ISBN: 0-688-18071-X
Page Count: 624
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
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An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
Catch-22 is also concerned with some of war's horrors and atrocities, and it is at times painfully grim.
Catch-22 is an unusual, wildly inventive comic novel about World War II, and its publishers are planning considerable publicity for it.
Set on the tiny island of Pianosa in the Mediterranean Sea, the novel is devoted to a long series of impossible, illogical adventures engaged in by the members of the 256th bombing squadron, an unlikely combat group whose fanatical commander, Colonel Cathcart, keeps increasing the men's quota of missions until they reach the ridiculous figure of 80. The book's central character is Captain Yossarian, the squadron's lead bombardier, who is surrounded at all times by the ironic and incomprehensible and who directs all his energies towards evading his odd role in the war. His companions are an even more peculiar lot: Lieutenant Scheisskopf, who loved to win parades; Major Major Major, the victim of a life-long series of practical jokes, beginning with his name; the mess officer, Milo Minderbinder, who built a food syndicate into an international cartel; and Major de Coverley whose mission in life was to rent apartments for the officers and enlisted men during their rest leaves. Eventually, after Cathcart has exterminated nearly all of Yossarian's buddies through the suicidal missions, Yossarian decides to desert — and he succeeds.
Catch-22 is also concerned with some of war's horrors and atrocities, and it is at times painfully grim.Pub Date: Oct. 10, 1961
ISBN: 0684833395
Page Count: 468
Publisher: Simon & Schuster
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Oct. 1, 1961
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