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STAND FOR CHILDREN

In this version of a speech delivered during a 1996 rally at the Lincoln Memorial, the founder of the Children’s Defense Fund asserts the rights of children, then challenges readers to do more to nurture and preserve those rights. For visual counterpoint, Yorinks incorporates photographs, mostly of young people, plus a huge variety of painted and printed fabrics into quilted illustrations; young readers left behind by the high rhetoric (“Each and every American child adds or subtracts, multiplies or divides America’s problems and potential”) will linger over the bold, intensely expressive designs. Edelman invokes Lincoln, Jesus Christ, and Harriet Tubman, then closes with an ironic prayer and a suggestion list of child-centered community activities. The book is poorly designed, with text and art disappearing into the gutters, but the message is important, and forcefully seconded by the illustrations. (Picture book. 12+)

Pub Date: May 1, 1998

ISBN: 0-7868-0365-7

Page Count: 32

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1998

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THE DEAD-TOSSED WAVES

Decades after the events of The Forest of Hands and Teeth (2009), teenager Gabry lives in relative safety. Despite the Barrier keeping the ravaging zombies out of town, Gabry is a terrified homebody who wants only to stay sheltered with her mother, the refugee heroine of Forest. Her nervousness is justified; when Gabry is peer-pressured into sneaking past the Barrier for a night of adolescent rebellion, several of her friends are zombified. (One wonders, if teens sneaking out for a snog is so dangerous to society, how there any humans left at all.) The ensuing chaos sends Gabry into the wilderness where, encumbered by revelations about love and family, she encounters zombie-worshiping cultists, the dangerous remnants of the army and her own past. Whatever comes between Gabry and her mother, there’s one thing they definitely have in common: Like her mother, Gabry experiences an angst-ridden, gloomy love triangle while fleeing from zombie hordes in the forest’s depths. Fast-paced despite the mawkish romance, it will be gobbled up by fans of the first volume like brains. (Horror. 12-14)

Pub Date: March 9, 2010

ISBN: 970-0-385-73684-8

Page Count: 416

Publisher: Delacorte

Review Posted Online: Dec. 23, 2010

Kirkus Reviews Issue: Feb. 15, 2010

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IN THE KAISER'S CLUTCH

Karr (The Cave, 1994, etc.) chooses the silent film studios during WW I as a backdrop for twin adolescent film stars Fitzhugh and Nelly Dalton's discovery of a ring of German sympathizers. Although their father's suspicious death in the explosion of a munitions dump has forced the twins and their mother to move out of Manhattan, things are looking up for the scrappy family. Fitzhugh and Nelly will star in a new film serial, In the Kaiser's Clutch, written and sold to the studio by their mother. The twins eventually uncover their leading man as the brains behind a secret German bomb factory. By juxtaposing plot summaries of each serial installment at the opening of every chapter and then describing all the hard work that goes into the segments, Karr accurately recreates the early film industry, and those who can give themselves up wholeheartedly to some of the campier aspects of this will have a ball. The plot is stuffed with cornball jokes, wooden dialogue, and clichÇd happy family scenes; the German characters are reduced to thick-accented, shifty-eyed, bravado-spouting villains, and the novel ultimately becomes as jingoistic as the fictional serial at its core. (Fiction. 12-14)

Pub Date: Oct. 25, 1995

ISBN: 0-374-33638-5

Page Count: 182

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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