by Marianne Richmond & illustrated by Marianne Richmond & developed by Sourcebooks ‧ RELEASE DATE: Nov. 15, 2012
Don’t be fooled by the hype: For a much better treatment of “personalization,” check out Mo Willems’ Don’t Let the Pigeon...
A superficial, lackluster adaptation of Richmond’s 2010 traditional book.
The defining feature (and marketing push) of this app is personalization. Alongside the requisite reading options, there’s a button that says, “Put me in the story.” Readers can insert a photo into a Polaroid-like frame and enter a child’s name, which supposedly makes them part of the story. But really, it doesn’t: The photo is never to be seen again after the initial screens, and the use of the child’s name to label items (“[child’s name]’s bed”) is lost on little “readers,” as this book is clearly aimed at pre-readers. Do parents really need a teleprompter to mention their child’s name in the narrative? In personalized mode, most of the book’s pages are silent, though a few have sound effects like crickets chirping, a cat purring or bubbles forming in the bathtub. There is a “Read to me” option, though the personalization disappears when it is chosen. Throughout the story, glimmering stars indicate interactive hotspots, alerting readers to profoundly primitive interactions—twirling buttons and stars, to name a few. This book is one installment in a series designed to personalize “bestsellers, award winners and classics,” but the gimmick doesn’t even come close to justifying the adaptation (at least in this case).
Don’t be fooled by the hype: For a much better treatment of “personalization,” check out Mo Willems’ Don’t Let the Pigeon Run This App! (2011). (iPad storybook app. 1-4)Pub Date: Nov. 15, 2012
ISBN: N/A
Page Count: -
Publisher: Sourcebooks
Review Posted Online: Dec. 2, 2012
Kirkus Reviews Issue: Dec. 15, 2012
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by Alice Schertle ; illustrated by John Joseph ‧ RELEASE DATE: Dec. 8, 2020
Little Blue Truck keeps on truckin’—but not without some backfires.
Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.
His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.
Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)Pub Date: Dec. 8, 2020
ISBN: 978-0-358-27244-1
Page Count: 20
Publisher: HMH Books
Review Posted Online: Jan. 18, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by Sandra Boynton & illustrated by Sandra Boynton & developed by Loud Crow Interactive & Read by Billy J. Kramer ‧ RELEASE DATE: March 7, 2011
None
Preserving the look of the classic board book—even to the trim size and rounded corners—this makeover folds new into old in such inventive ways that it may take more than a few passes to discover all the interactive features. Aboard a ship that rocks in response to a tilt of the tablet a set of animal passengers bounce belowdecks. First they take a bath featuring user-created bubbles, and then they brush their teeth using water so hot that the whole screen hazes up with wipe-able “steam.” Pajama-clad, all then wobble—or, tweaked by a finger, rocket—back outside for a bit of exercise before bed. (Readers control this part by twirling the moon.) In the finest animation of all, every touch of the night sky in the final scene brings a twinkling star into temporary being. Along with making small movements that resemble paper-engineered popup effects, Boynton’s wide eyed passengers also twitch or squeak (or both) when tapped. And though they don’t seem particularly sleepy or conducive to heavy lids, an optional reading by British singer Billy J. Kramer (whose well-traveled voice also pronounces each word individually at a touch), backed by soothing piano music, supplies an effectively soporific audio. “The day is done. / They say good night, / and somebody / turns off the light.” This is as beautiful as the developer’s earlier PopOut! Peter Rabbitwhile styling itself perfectly to Boynton's whimsy. (Ipad board-book app. 1-3)
None NonePub Date: March 7, 2011
ISBN: N/A
Page Count: -
Publisher: Loud Crow Interactive
Review Posted Online: March 13, 2011
Kirkus Reviews Issue: April 15, 2011
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