by Marie Winn ‧ RELEASE DATE: March 30, 1998
This story is for the birds—but even non-avians will applaud this winning narrative of romantic raptors and other feathered habituÇs of Manhattan's Central Park. Surprisingly, Central Park is one of the top birdwatching spots in America: The bird census in 1996 came to 275 separate species, counted by a dedicated cadre of birdwatchers and naturalists of which Winn (Unplogging the Plug-In Drug, 1987) is an early-rising member. While the eponymous hawks are the stars of this show, the dramatis personae include seed-stealing squirrels, chickadees, woodpeckers, the ubiquitous pigeon, the birdwatchers themselves, and two human celebs: Mary Tyler Moore, on whose Fifth Avenue building the red-tails construct their nest, and Woody Allen, whose penthouse is within easy binocular range one block north. Over the course of four breeding seasons, Winn and company anxiously observe Pale Male and two or perhaps three different females as they struggle to raise a family while beset by assorted man-made and natural perils. The birdwatchers protect the nest from workmen on scaffolds; they rescue Pale Male and his first mate when they are injured; they fret over the effects of the Pocahontas premiere on the park's Great Lawn (the hawks do not seem to mind). When chicks finally hatch, these enraptured raptor watchers keep vigil, readily sharing telescopes and binoculars with passers-by. Winn writes with great knowledge of the habits of the park's wildlife, but she is equally observant, slyly so, of the tendencies of the human species, particularly those inhabiting the Upper East Side; the best story here, perhaps, is that of the devoted core of amateur birdwatchers—Winn included—who forfeit sleep and frequently money to preserve a little wildness in the city. Written with warmth and modesty, a great book for birders and nature readers, as well as an interesting portrait of New Yorkers. Winn thoughtfully includes an informative ``Wildlife Almanac'' in the appendix.
Pub Date: March 30, 1998
ISBN: 0-679-43997-8
Page Count: 320
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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More by Marie Winn
BOOK REVIEW
by Marie Winn
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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