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BABA YAGA'S ASSISTANT

A magnificently magical must-read for all fairy-tale fans

After her long-distant father remarries, a young woman leaves home to be the assistant to the famous witch Baba Yaga in this clever reinvention.

After her mother’s death, Masha resides with her father, who keeps his distance from her both physically and emotionally. She is raised by her loving grandmother, who tells her all about her experiences with the cunning old crone Baba Yaga and the schemes she used to trick the aged witch. In a swift turn of events, her grandmother dies, and Masha's father remarries. Her new stepmother is aloof and has her own young daughter, Dani, a horrid, hand-biting brat. In a moment of desperation, Masha decides to follow in her grandmother's footsteps and answers an advertisement to be Baba Yaga's assistant. Once installed in the chicken-legged hut, she learns of the three purposefully tricky tests she must complete. McCoola's offering is a well-nuanced delight, satisfyingly blending fairy tale, legend, and thrills. As a perfect complement, Carroll's evocative art enthralls, capturing both the emotion and the magic of McCoola's yarn and breathing new life into an old folk tale. Though structured like a fairy tale, this clever and well-appointed graphic novel is refreshingly modern and obviously enjoys playing with conventions.

A magnificently magical must-read for all fairy-tale fans . (Graphic fantasy. 9-14)

Pub Date: Aug. 4, 2015

ISBN: 978-0-7636-6961-4

Page Count: 136

Publisher: Candlewick

Review Posted Online: June 5, 2015

Kirkus Reviews Issue: June 15, 2015

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THE WHOLE STORY OF HALF A GIRL

Like Blume, Hiranandani resists simplistic, tidy solutions. Each excels in charting the fluctuating discomfort zones of...

Four decades separate Sonia Nadhamuni and Judy Blume’s Margaret Simon, but these feisty, funny offspring of Jewish interfaith marriages are sisters under the skin.

Perched on the uncertain cusp of adulthood, each grapples with perplexing cultural identity issues, but in very different worlds. While Margaret’s grandparents pressure her to label herself as they wish, it’s Sonia’s peers who expect her to define herself racially and culturally. Having a nominally Hindu, Indian-immigrant dad and Jewish-American mom wasn’t a big deal until her father lost his job. Now Sonia must leave her comfortably small private school behind and—with Dad sinking into clinical depression and Mom taking on more work—chart her own course at Maplewood Middle School. Where does she fit? With the cheerleaders like pretty, blonde Kate or the bussed-in, city kids like Alisha, who’s writing a novel? Sonia’s the only cheerleader not invited to Peter Hanson’s birthday party. Is racism the cause? As in real life, her challenges don’t come neatly compartmentalized; Sonia will have to work out her mixed-heritage identity while contending with stressed-out parents, financial woes and vexing social uncertainties. Multifaceted characters, especially Sonia—astute, observant and original—provide depth.

Like Blume, Hiranandani resists simplistic, tidy solutions. Each excels in charting the fluctuating discomfort zones of adolescent identity with affectionate humor. (Fiction. 9-13)

Pub Date: Jan. 10, 2012

ISBN: 978-0-385-74128-6

Page Count: 224

Publisher: Delacorte

Review Posted Online: Nov. 1, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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NOWHERE BOY

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...

Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.

Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.

A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)

Pub Date: Aug. 7, 2018

ISBN: 978-1-250-30757-6

Page Count: 368

Publisher: Roaring Brook Press

Review Posted Online: June 10, 2018

Kirkus Reviews Issue: July 1, 2018

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