by Marikka Tamura ; illustrated by Daniel Rieley ‧ RELEASE DATE: Jan. 16, 2018
It’s almost too cute to get the message across that people should knit sweaters for toy animals—not for the real critters.
A cautionary tale for young readers about the aftermath of oil spills near penguin habitats.
Penguins frolic and feed in the ocean, showing off their black-and-white bodies and orange feet and beaks. They are busy doing what it is that penguins do: “huddling, cuddling, waddling” and “diving deep.” Then a tanker passes by and leaves “oil pools in inky puddles.” The penguins are in serious trouble until Big Boots with camera in hand appears. A campaign to knit sweaters for the penguins is the result until glove-clad hands show up to remove the sweaters and finally wash off the oil with toothbrushes. Tamura’s well-told tale of ecological disaster and proper penguin rescue is told in rhythmic but not rhyming couplets. Her author’s note references an actual event on Phillip Island, Australia (where visitors can view a penguin walk), and explains how knitted garments are actually harmful for penguins. Rieley’s digitized pencil, ink, and handmade textures are appealing. His palette of blues and whites for the ocean, sky, and ice provides a perfect setting, both aerial and eye-level, for the penguins. The knitted sweaters, with close-ups of needles in action, are colorful if inappropriate for the recipients. Note that one of them features the publisher’s penguin logo.
It’s almost too cute to get the message across that people should knit sweaters for toy animals—not for the real critters. (author’s note) (Picture book. 3-6)Pub Date: Jan. 16, 2018
ISBN: 978-1-101-99696-6
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by James Luna & illustrated by Laura Lacámara & translated by Carolina Villarroel ‧ RELEASE DATE: Nov. 30, 2010
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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by James Luna ; illustrated by Monica Barela-di Bisceglie ; translated by Gabriela Baeza Ventura
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