Some funny, savvy stuff—especially about being the offspring/model of a children's book writer—hung on a forced, crypto-mystery plot. "The girls in your stories are always me or the exact opposite of me or twice as much as me," Rebecca taxes her mother, "but they all have such interesting things happen to them." No more, her mother promises; and while she writes a formula teenage romance, First Love (with a virginal heroine, because "That's the new look in teenage books"), Rebecca has her own, outlandish first—romance—with short, weepy, plant-loving, rabbit-hating, non-biking (-running, -swimming) Jason Furst, who moves into the apartment next door with his near-hysterical, very unfriendly mother. . . who, says Jason, got that way after his father went off to Europe "on business" and they had to move to San Francisco. The question, then, is what really happened to Jason's father; and the answer, which Rebecca forces out, shouldn't happen—he's in prison. The romantic attraction, though, is handled with tongue-in-cheek finesse. Rebecca's writer-mother fell in love with her pharmacist/poet father because of a poem about her runny: nose. Rebecca herself fails in love with botanist-to-be Jason because he compares her face, with its freckles, to the inside of a favorite flower. (Plus, Rebecca wants to take over her grandfather's pharmacy, bane of her father's existence.) Bubbly and offbeat and, yes, more interesting than the likes of First Love.
Pub Date: April 1, 1983
ISBN: 0380698420
Page Count: 128
Publisher: Dutton
Review Posted Online: May 8, 2012
Kirkus Reviews Issue: April 1, 1983
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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