by Marilyn Sadler & illustrated by Michael Slack ‧ RELEASE DATE: May 22, 2012
Though it is supposed to be a silent game—and here it is anything but that—this rendering of the childhood favorite captures...
Sadler gives cockamamie treatment to this barnyard variant on the game of telephone.
"Cow is stuck in the fence." Or was it "Cow and Hen had good luck"? No matter: "Pass it on!" Now it’s "A good duck gave cow a penny." The game is one of those deeply amusing exposés of the corruption of information as it is passed along. Sadler’s approach to the game is humorous and artful: She twists and fractures the words in delightful fashion, sometimes from what appears to be mishearing, sometimes from embroidery or exaggeration. The cumulative errors result in a fine and farcical ending. Without putting a heavy hand on the proceedings, Sadler illustrates just how inaccuracies in communication can lead to utter balderdash, as they might in gossip and rumormongering. Slack’s accompanying artwork crackles with energy and color, and the barnyard creatures have a high degree of personality. Each instance of passing it on has at least two windows of activity, one depicting the act itself and the other what the corruption would look like.
Though it is supposed to be a silent game—and here it is anything but that—this rendering of the childhood favorite captures the essence of its illuminating comedy. (Picture book. 4-8)Pub Date: May 22, 2012
ISBN: 978-1-60905-188-4
Page Count: 40
Publisher: Blue Apple
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: May 15, 2012
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
by Ruth Behar & Gabriel Frye-Behar ; illustrated by Maribel Lechuga ‧ RELEASE DATE: Sept. 12, 2023
A heartwarming reminder to embrace change.
A dog who belongs to an expecting couple adjusts to home life as a new baby arrives.
Pepita, the family pet, is beloved and still so little they call her Bebita (baby girl). But Pepita’s world is changing as her Mami and Papi await the arrival of a baby. Pepita is used to being spoiled “with treats and tummy rubs and my favorite fluffy pillow….But lately, things have been changing.” As the home gets new additions like a crib and gifts from the grandparents, Pepita feels left out, no longer the center of attention. Once the baby arrives, Pepita tries to adjust but is kept up at night by crying and doesn’t get playtime like before. But Pepita’s sweetness shines through as she finds ways to help out and bond with the new baby. “I feel so proud to be the big sister,” she concludes. The book is sprinkled with Spanish phrases, reflecting that Pepita is part of a Latine household; readers unfamiliar with Spanish will find the glossary helpful. Illustrations are warm and cuddly throughout, and the story is highly relatable; soon-to-be big siblings fretting over a new arrival will find it especially comforting. (This book was reviewed digitally.)
A heartwarming reminder to embrace change. (Picture book. 4-8)Pub Date: Sept. 12, 2023
ISBN: 9780593566985
Page Count: 40
Publisher: Knopf
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Ruth Behar
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by Ruth Behar ; illustrated by Devon Holzwarth
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by Ruth Behar
by Ross Burach ; illustrated by Ross Burach ‧ RELEASE DATE: Feb. 14, 2017
While the slapstick may appeal to readers, sadly, this book is so confused and arbitrary, most of the humor falls flat.
A beleaguered giraffe tries to communicate that he isn’t a chair.
Poor Giraffe: on his first day in the jungle he’s seen as a chair by the other animals. Of course, giraffes aren’t actually found in jungles, and there’s little evidence of a jungle in the illustrations. While Giraffe does look a little like a chair, the fact that he has eyes and a mouth and nose and other features that distinguish the other animals from their seats makes it hard to understand why he is mistaken for a chair. But it’s all about the gag. Burach uses action-filled spreads to indicate a series of incidents that literally impede Giraffe’s speech, but when he is finally able to speak up for himself, he chooses instead to make a fake chair that looks like him. When that doesn’t work, he’s taken home by a dull-witted human who also uses him for a chair. Upon escaping, he is used as a chair by a lion waiting for dinner. When Giraffe finally decides to speak up and clear up the misunderstanding, he saves his own skin by scaring the lion, who thinks he’s a talking chair. The childlike drawings emphasize googly eyes, silly grins, a multitude of sound effects in emphatic display type, and lots of physical humor.
While the slapstick may appeal to readers, sadly, this book is so confused and arbitrary, most of the humor falls flat. (Picture book. 4-8)Pub Date: Feb. 14, 2017
ISBN: 978-0-06-236016-8
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Audrey Perrott ; illustrated by Ross Burach
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by Audrey Perrott ; illustrated by Ross Burach
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by Ross Burach ; illustrated by Ross Burach
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