A neighborhood block party is the setting for this spot-on tale of friendship and togetherness. “The first Sunday in June,” Singer writes, “the sun comes up smiling on Berkeley Place.” On the page opposite, a little girl lies in bed, sunlight streaming through the open window. Later, in a full-bleed spread, the girl, Lola, peeks out her window. Outside, neighbors inflate balloons and set up games. Her friends drag jump ropes down the street. “ ‘Isn’t Lola going to join us?’ asks Yasmin. ‘Maybe, if she ever stops being mad,’ answers Sue.” Roth’s airy watercolors depict a diverse cast of characters dancing, drumming, and lounging in lawn chairs. Shifting perspectives—first from the windowsill, then street level—mimic Lola’s movements, as she gets over hurt feelings and moves closer to her friends. It’s just a matter of time until the girls set aside their differences to enjoy a summertime tradition. (Picture book. 3-5)
Pub Date: May 11, 2004
ISBN: 0-375-82216-X
Page Count: 32
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
Karlin (The Fat Cat Sat on the Mat, 1996, etc.) echoes Dick, Jane, and Sally—``I see the can. I can kick the can''—but the resemblance is fleeting, for the wordplay in this I-Can-Read entry is clever and bright. Young readers will be amused at the flurry of homonyms—``I can see a fly fly'' among them. There are excursions into past and present, and pokes at pronouns and the and a. Anchoring the book, which is narrated by two kittens, is the word ``seesaw.'' Karlin breaks it up, twists it around, and generally makes merry with the word's many possibilities. ``Look, a saw,'' says one kitten. ``I can see the saw,'' replies the other. ``I can saw the seesaw.'' But a frog gets the last lick: ``And I saw you saw the seesaw''—a grammatically slick tongue-twister. Simple watercolor illustrations crisply depict the meaning of the words, cutting through the ambiguity, and leaving readers with nothing but the purest pleasure. (Picture book. 3-5)
Pub Date: May 11, 1997
ISBN: 0-06-026677-5
Page Count: 24
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
BOOK REVIEW
Though this celebration of community is joyful, there just is not much here.
A sugary poem, very loosely based on the familiar song, lacks focus.
Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”
Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)Pub Date: Oct. 5, 2011
ISBN: 978-1-4521-0224-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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