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ONCE UPON A TIME

A SHORT HISTORY OF FAIRY TALE

Both a beguiling appreciation of and a fascinating tour through faery, this offers riches aplenty for lovers of fantasy...

This literary and cultural history of our engagement with, mostly, European fairy tales may be short, but it is far from slight.

Perhaps best known for her seminal From the Beast to the Blonde (1995), a feminist reading of several European fairy tales, Warner (Stranger Magic: Charmed States and the Arabian Nights, 2012, etc.) presents a thoughtful, discursive and often personal survey of how “fairy tale” has expressed itself over the centuries. She treats her subject as something of a literary force in itself rather than a collection of discrete stories, continuously emphasizing how deeply embedded it is in Western culture. Her exploration ranges far and wide in discerning its origins and influences, from the obvious—the Grimms, Charles Perrault, Marie-Catherine d’Aulnoy, Hans Christian Andersen, Italo Calvino, Angela Carter, Disney—to the less so: the Celtic Mabinogion, Shakespeare, Jane Eyre, Robert Bly and Hayao Miyazaki. Warner touches on commentators as well, discussing the ways such theoreticians as Vladimir Propp, Bruno Bettelheim and Jack Zipes have influenced how we understand fairy tale. This makes for an undeniably dense read, and it is not for beginners, as it presumes some familiarity and requires readers to navigate across centuries, forms and even media. (The maddening design asks readers to physically jump around the book to see illustrations referenced in the text. Readers must decide either to leave Warner’s elegant prose and travel to the front of the book for a page number before finding the illustration itself or to do without.) Although the author’s erudition is on display on every page, this is no starchy academic text; she frequently inserts her own trenchant opinions, as when she declares that Bettelheim “enrages me as he has done many other lovers of fairy tales,” even though she “learned a huge amount from [him].”

Both a beguiling appreciation of and a fascinating tour through faery, this offers riches aplenty for lovers of fantasy fiction, children’s literature and the tales themselves.

Pub Date: Dec. 1, 2014

ISBN: 978-0198718659

Page Count: 226

Publisher: Oxford Univ.

Review Posted Online: Sept. 27, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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