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THIRST

A blood-soaked tale of sex, love, and ennui that would make Anne Rice proud.

A vampire who has seen the rise and fall of civilizations and a young woman struggling to cope with her mother’s terminal illness become unlikely companions in the city of Buenos Aires.

In Yuszczuk’s novel—her first to be published in the U.S.—the streets of Buenos Aires run red with blood. Told in two parts that span the course of several centuries, the story begins with a nameless vampire recounting the exceedingly violent events of her long and lonely life. After witnessing the brutal deaths of her Maker and her sisters at the hands of enraged villagers—in a scene that is delightfully reminiscent of old black-and-white monster movies—she flees Europe for the distant coast of Argentina. Soon to be ravaged by the arrival of yellow fever, Buenos Aires provides her with an endless supply of fresh blood and the anonymity and discretion that she so greatly desires. As time passes, though, the city proves itself to be equally unsafe for a creature of the night. In the wake of betrayal and tragedy brought on by her nature, and after meeting a young cemetery groundskeeper who is entranced by both her beauty and her monstrosity, she locks herself inside a coffin in an abandoned tomb to live out a solitary and thirsty eternity. The story picks up years later in a modern Buenos Aires with a young woman who is struggling to help care for her ailing mother as well as with her own motherhood. As she traverses the city, telling readers about her life with an alarmingly robotic sense of remove, she comes into possession of a mysterious key that has been passed down through her family and which eventually leads her to the vampire’s tomb. Sex and violence take center stage in this gothic tale as the horrors that Buenos Aires and Yuszczuk’s characters face continue to slowly unfurl. The novel takes its time, building gradually to the electric moment when the two women finally meet, but it struggles with pacing and tends to tell readers about its world rather than show them. What truly shines are the author’s knowledge of vampire lore and her dedication to creating a monster who could easily join the ranks of Dracula and Nosferatu.

A blood-soaked tale of sex, love, and ennui that would make Anne Rice proud.

Pub Date: March 5, 2024

ISBN: 9780593472064

Page Count: 256

Publisher: Dutton

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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HALF HIS AGE

A debut novel with bright spots, but unbalanced and lacking in finesse.

A high school senior pursues an affair with her teacher.

Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.

A debut novel with bright spots, but unbalanced and lacking in finesse.

Pub Date: Jan. 20, 2026

ISBN: 9780593723739

Page Count: 288

Publisher: Ballantine

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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