Stella’s Brave Voice may empower other kids to find theirs, too.
A young girl must learn to advocate for herself in Bader’s picture book.
Stella and her fraternal twin sister, Paige, have lots in common. They also have complementary differences: Stella likes cake but not frosting, for example, while Paige likes frosting but not cake. But Stella gets aggravated when Paige speaks for her without giving her time to answer, or interrupts, or speaks over her. Stella wants to speak up, but she doesn’t know how. That evening, their mother gives Stella great advice, reminding her how Paige started to speak up for Stella when they were younger and Stella’s anxiety was more severe. Her advice empowers Stella to speak up for herself, but also to remember that Paige loves her and doesn’t want her to feel scared. Their mother helps Stella use her stuffed animals to model a conversation with Paige. The next day at school, Stella has a productive conversation with her sibling. Bader’s story presents anxious young readers with a great model for learning how to assert themselves in conversation. Soto’s full-color cartoon illustrations are cute but might have been improved with more realistic shading, although the well-drawn backgrounds ably contextualize the settings. The speaking characters are all depicted with pale skin; the story has several background characters of color, including the twins’ teacher.
Stella’s Brave Voice may empower other kids to find theirs, too.Pub Date: Oct. 3, 2023
ISBN: 9798985768138
Page Count: 40
Publisher: Self
Review Posted Online: Oct. 26, 2023
Review Program: Kirkus Indie
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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