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COURTSHIP & CURSES

It’s considerably more aristocratic and less nuanced than Austen’s middle-class world, but Austenites—especially those whose...

Though it bucks the fan-fiction trend of making Jane Austen a character (often of the undead variety), this cheery Regency fantasy qualifies as major homage.

The polio that killed her magic-working mother and sister left Lady Sophie nervous and self-conscious about her withered leg. At least she’s smartly clad for her first London season, thanks to a family friend’s intervention. (Sophie’s ditzy aunts have dreadful views on attire.) At her first ball, Sophie draws the attentions of handsome Peregrine, Lord Woodbridge, who rescues her father from a falling statue. Though her own magic’s been unreliable since her illness, Sophie recognizes its use—this was no accident. At ball after ball, befriended by Peregrine’s impetuous cousin Parthenope, Sophie witnesses “accidents” to War Office leaders tasked with defeating Napoleon, recently escaped from Elba. Overall, the tone is beach-read light. Prejudice upsets Sophie, but status and wealth shield her from disability’s harsher consequences. Peregrine’s rather dull, an amalgam of Austen heroes (Darcy with a dash of Captain Wentworth). Doyle’s gift, on display in earlier historical fantasies (Bewitching Season, 2008, etc.), lies in creating vivid female characters and the bonds between them.

It’s considerably more aristocratic and less nuanced than Austen’s middle-class world, but Austenites—especially those whose favorite scenes involve shopping and balls—won’t mind. (author’s note) (Historical fantasy romance. 12 & up)

Pub Date: Aug. 7, 2012

ISBN: 978-0-8050-9187-8

Page Count: 352

Publisher: Henry Holt

Review Posted Online: June 5, 2012

Kirkus Reviews Issue: July 1, 2012

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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