by Marissa Meyer ‧ RELEASE DATE: Jan. 3, 2012
Despite the simplistic and incongruous-feeling telepathic-enslaver theme, readers will return for the next installment in...
Although it packs in more genres than comfortably fit, this series opener and debut offers a high coolness factor by rewriting Cinderella as a kickass mechanic in a plague-ridden future.
Long after World War IV, with a plague called letumosis ravaging all six Earthen countries, teenage Cinder spends her days in New Beijing doing mechanical repairs to earn money for her selfish adoptive mother. Her two sisters will attend Prince Kai’s ball wearing elegant gowns; Cinder, hated because she’s a cyborg, won’t be going. But then the heart-thumpingly cute prince approaches Cinder’s business booth as a customer, starting a chain of events that links her inextricably with the prince and with a palace doctor who’s researching letumosis vaccines. This doctor drafts cyborgs as expendable test subjects; none survive. Cinder’s personal tenacity and skill, as well as Meyer’s deft application of "Cinderella" nuggets—Cinder’s ill-fitting prosthetic foot (loseable on palace steps); a rusting, obsolete car colored pumpkin-orange—are riveting. Diluting them is a space-fantasy theme about mind-controlling Lunars from the moon, which unfortunately becomes the central plot. A connection between Cinder’s forgotten childhood and wicked Lunar Queen Levana is predictable from early on.
Despite the simplistic and incongruous-feeling telepathic-enslaver theme, readers will return for the next installment in this sharp, futuristic "Cinderella" tale. (Science fiction/fairy tale. 12-15)Pub Date: Jan. 3, 2012
ISBN: 978-0-312-64189-4
Page Count: 400
Publisher: Feiwel & Friends
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Nov. 15, 2011
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by Brandon Sanderson ; illustrated by Ben McSweeney ‧ RELEASE DATE: Nov. 23, 2021
More terrific combat scenes, but a bit too heavy on character development to fly at speed.
The third episode in the Skyward series sees red-hot space pilot Spensa Nightshade coming into her full powers as she battles both pirates and space monsters in a strange interdimensional nowhere.
Leaving her ongoing feud with evil galactic overlords on temporary hold back in the somewhere, Spensa passes through a portal to a realm where time and memories tend to slip away, bits of landscape randomly snipped from reality float like islands around a distant sunburst—and teeming hordes of disembodied, malevolent entities called delvers are relentlessly hunting her down. Fun as all the space-opera elements are, though, they continue a trend from the preceding volume in deadening the efforts of Spensa and sidekicks old and new to establish personal identities or backstories, wrestle with inner demons, or, in the case of the AI M-Bot, practice insults and deal with newly discovered emotions. A few wild aerial dogfights and larger battles later, however, Spensa has come into her cytonic superpowers, found out some crucial things about the delvers, and made her way back to the somewhere. Now for those overlords….McSweeney contributes a map, lovingly detailed sets of spaceship plans, and galleries of the multispecies cast members. Wild diversity of intergalactic body types notwithstanding, human members seem uniformly White.
More terrific combat scenes, but a bit too heavy on character development to fly at speed. (Science fiction. 12-15)Pub Date: Nov. 23, 2021
ISBN: 978-0-399-55585-5
Page Count: 480
Publisher: Delacorte
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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by Brandon Sanderson ‧ RELEASE DATE: Nov. 26, 2019
Not quite the wild ride of Skyward (2018) but still great fun.
As if the threat of huge, raging monsters from hyperspace isn’t scary enough, hotshot fighter pilot Spensa Nightshade becomes embroiled in an alien empire’s politics.
On a desperate mission to steal hyperdrive technology from the crablike invading Krell who are threatening to destroy her beleaguered home colony on Detritus, Spensa, who is white, holographically disguises herself as a violet-skinned UrDail and slips into a Krell pilot training program for “lesser species.” The discovery that she’s being secretly trained not to fight planet-destroying delvers but to exterminate humans, who are (with some justification, having kindled three interstellar wars in past centuries) regarded in certain quarters as an irrationally aggressive species, is just one in a string of revelations as, in between numerous near-death experiences on practice flights, she struggles to understand both her own eerie abilities and the strange multispecies society in which she finds herself. There are so many characters besides Spensa searching for self-identity—notably her comic-relief sidekick AI M-Bot, troubled human friend Jorgen back on Detritus, and Morriumur, member of a species whose color-marked sexes create trial offspring—that even with a plot that defaults to hot action and escalating intrigue the pacing has a stop and start quality. Still, Spensa’s habitual over-the-top recklessness adds a rousing spark, and the author folds in plenty of banter as well as a colorful supporting cast.
Not quite the wild ride of Skyward (2018) but still great fun. (Science fiction. 12-15)Pub Date: Nov. 26, 2019
ISBN: 978-0-399-55581-7
Page Count: 480
Publisher: Delacorte
Review Posted Online: Oct. 12, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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