Readers who stay with Julia have a mighty twist at the end to look forward to.
Julia Jaynes has always known she’s special, just as she’s always known she has to hide her special talents and abilities; she’s a member of a select community of just a handful of families: human in many respects while so much more in others, they live among ordinary people but hold themselves apart.
Her father has made it very clear that to be accepted into their clan, she must maintain a low profile, keep her abilities under wraps, and never, under any circumstances, mingle with an outsider but stay only with her own handful of beautiful young peers. Her own glossy, well-groomed white family, Julia notes, looks “like they’d externalized being members of the One Percent.” She wants to do as he asks, to be included in the tribe when they relocate to their next place, but she knows that she’s different. And when a chance meeting with a handsome, young outsider with tan skin and “almond-shaped eyes” shows her a new and very possibly unique ability, she’s faced with a choice: to blend in and be accepted or to live a very singular life out on her own. Weisenberg frames teen issues in an eerie, unusual environment where nothing is quite as simple as it seems. Julia narrates, slowly revealing the rules of her peculiar community in a first-person narration that relies on concept rather than style to turn the pages.
Readers who stay with Julia have a mighty twist at the end to look forward to. (Paranormal thriller. 14-18)Pub Date: Oct. 3, 2017
ISBN: 978-1-58089-806-5
Page Count: 352
Publisher: Charlesbridge Teen
Review Posted Online: June 20, 2017
Kirkus Reviews Issue: July 1, 2017
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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