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NOVEL HISTORY

HISTORIANS AND NOVELISTS CONFRONT AMERICA’S PAST (AND EACH OTHER)

Fans of historical fiction will have fun with Carnes’s study, and would-be novelists might benefit from having a look at it,...

A sometimes amusing if generally inconsequential set of essays on fiction-writers’ use (and occasional misuse) of history.

Following the model he established with Past Imperfect (1995), Carnes (History/Barnard Coll.) elicits from his scholarly peers comments on representative historical fictions that have been published, mainly, in the last 40 years. In response to their comments come sometimes defensive, sometimes befuddled, and sometimes gracious and grateful remarks by the novelists in question. Historian Elliott West, for instance, notes historical inaccuracies in Larry McMurtry’s Lonesome Dove, a novel that offers “a virtually full roster of the Western’s most familiar characters” and is thus as mythical as any other horse opera. Blinking at the command to draw, McMurtry answers that “A long novel often involves such sloppiness.” By contrast, when his attention is drawn to inaccuracies in Burr, the famously prickly Gore Vidal goes snide, while William Styron bobs and weaves around Eugene Genovese’s furious jabs at The Confessions of Nat Turner. Annie Dillard, after noted historian Richard White demonstrates her novel The Living to be a mass of misunderstandings and useless inventions, doesn’t bother to respond at all. Neither does Barbara Kingsolver, though her 1998 The Poisonwood Bible stands up pretty well under Dianne Kunz’s fact-testing examination. For the most part, the historians here are gentle—often, in fact, too gentle—with their storytelling subjects, while the novelists respond for the most part with some variant of “Well, I wasn’t writing a dissertation.”

Fans of historical fiction will have fun with Carnes’s study, and would-be novelists might benefit from having a look at it, too—and then double-checking their facts. After all, as historian John Lukacs observes here, “Every novel is a historical novel.”

Pub Date: March 9, 2001

ISBN: 0-684-85765-0

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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