by Mark G. Wentling ‧ RELEASE DATE: N/A
An absorbing coming-of-age tale set against a realistic American backdrop.
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A young boy’s life in mid-20th-century America persistently and unpredictably veers off course in this novel.
In many ways, 11-year-old Marky is a typical kid in 1950s Kansas. He collects baseball cards like other boys his age, goes fishing and hunting with his father, and has a good shot at winning his town’s annual turtle race. But his family is not immune to hardships. Marky and his siblings, for example, rarely see their dad, Boyd, who works the graveyard shift at an aircraft plant 30 miles away. Their mother, Gerry, is a manic-depressive; Marky adores her but is perpetually worried about her oscillating moods. After two decades of marriage and six children, Marky’s parents engage in arguments that escalate in frequency and violence. Intense fights send Gerry fleeing to a neighbor’s house only for Boyd to chase her down. With his older siblings out of the nest, Marky becomes the protector of his two little brothers. The three boys stick together when Gerry makes plans to leave her husband for good—and take her sons with her. But Marky’s life takes another turn for the worse, as his parents’ never-ending feud culminates in him and his brothers stranded at a foster farm. Now, they’re saddled with uncompromising farm chores and endure merciless punishments if they stray from their foster parents’ strict rules. Marky struggles to keep up with academics and farm work and to ensure his remaining family stays close. But an indelible figure from his past makes a surprise return and offers him a momentous choice.
Wentling’s novel largely comprises a series of subplots. Some of these spotlight Marky’s happier times with his family. He and his mother design the fastest soapbox car they can for an upcoming derby, although it may be a bit too fast. But the book also has its share of quirky stories and supporting characters. One highlight is Marky’s “unconventional” best friend, Leroy. He’s a tween passionate about earning money and even more obsessed with Dr Pepper, to the point that he practically throws a tantrum when a local grocery store doesn’t have the soda. Unfortunately, the cast is primarily underdeveloped, including Marky’s older brother and sisters and even his younger siblings, who suffer many of the same burdens as he does. Still, the author’s straightforward prose is chock-full of details. A chapter devoted to Marky’s neighbors and family zeroes in on a chiropractor’s sudden arrest and an “odd” couple who die mysteriously, their live-in relative having vanished. Likewise, the author enhances the tale with historical touches, especially surrounding World War II. Gerry is a troubled but capable woman who, during the war, worked at the same plant that employed Boyd. Similarly, stories unfold in such places as a soda fountain and a movie theater, back when a Saturday matinee costs a mere 15 cents. As this work only covers a few years of Marky’s life, Wentling may have a sequel in the works. Nevertheless, the open ending makes a worthy denouement and effectively alludes to the opening chapter.
An absorbing coming-of-age tale set against a realistic American backdrop.Pub Date: N/A
ISBN: N/A
Page Count: 195
Publisher: Manuscript
Review Posted Online: May 18, 2022
Review Program: Kirkus Indie
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by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
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SEEN & HEARD
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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