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A SHORT HISTORY OF RUSSIA

HOW THE WORLD'S LARGEST COUNTRY INVENTED ITSELF, FROM THE PAGANS TO PUTIN

A slim, accessible account of the megacountry.

A fine introduction to a nation that “has responded to its lack of clear frontiers by a steady process of expansion, bringing new ethnic, cultural and religious identities into the mix.”

“Russia is a country with no natural borders, no single tribe or people, no true central identity,” writes Galeotti, an expert on Russian history and culture. The country’s written history only begins in the ninth century, when the Vikings took notice. Readers aware that Norse raiders sailed west as far as America may be surprised to learn that they also traveled eastward as far as the Black Sea to trade and plunder. Called Rus’ by the Slavs, by 900 they had settled in Kiev, adopted Christianity, and established a nation that neighboring Byzantium took seriously. The Mongols conquered Russia around 1240. While conventional histories describe “two centuries of Asiatic despotism,” Mongol rule was fairly benign. By 1500, Moscow was the leading city, and four centuries of spectacular conquests began. Peter the Great (reign: 1682-1725) introduced European culture and technology. Under Catherine the Great (1762-1796), Russia became a European power. Although American and French revolutionary ideals penetrated Russia, Napoleon’s traumatic 1812 invasion convinced the czars that democracy was “a product of dangerous, foreign-inspired freethinking.” As a result, in the 19th century, the country sunk into despotism. As a visiting French aristocrat noted, “this empire, vast as it is, is only a prison to which the emperor holds the key.” Galeotti reaches the 20th century only 50 pages before the end but delivers a fine, abbreviated chronicle. Lenin’s Bolsheviks won Russia’s revolution after a brutal struggle, but his early death meant that the Soviet Union was largely the creation of his heir, Stalin, whose epic cruelty disguises the fact that economic decline and misgovernment, not despotism, doomed his empire. The author blames the Soviet collapse on corrupt, unresponsive leaders, but, as Russia under Putin demonstrates, a corrupt kleptocracy remains popular as long as it provides stability, national pride, and jobs.

A slim, accessible account of the megacountry.

Pub Date: July 7, 2020

ISBN: 978-1-335-14570-3

Page Count: 224

Publisher: Hanover Square Press

Review Posted Online: April 29, 2020

Kirkus Reviews Issue: May 15, 2020

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ORDINARY NOTES

An exquisitely original celebration of American Blackness.

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A potent series of “notes” paints a multidimensional picture of Blackness in America.

Throughout the book, which mixes memoir, history, literary theory, and art, Sharpe—the chair of Black studies at York University in Toronto and author of the acclaimed book In the Wake: On Blackness and Being—writes about everything from her family history to the everyday trauma of American racism. Although most of the notes feature the author’s original writing, she also includes materials like photographs, copies of letters she received, responses to a Twitter-based crowdsourcing request, and definitions of terms collected from colleagues and friends (“preliminary entries toward a dictionary of untranslatable blackness”). These diverse pieces coalesce into a multifaceted examination of the ways in which the White gaze distorts Blackness and perpetuates racist violence. Sharpe’s critique is not limited to White individuals, however. She includes, for example, a disappointing encounter with a fellow Black female scholar as well as critical analysis of Barack Obama’s choice to sing “Amazing Grace” at the funeral of the Rev. Clementa Pinckney, who was killed in a hate crime at the Mother Emmanuel AME Church in Charleston, South Carolina. With distinct lyricism and a firm but tender tone, Sharpe executes every element of this book flawlessly. Most impressive is the collagelike structure, which seamlessly moves among an extraordinary variety of forms and topics. For example, a photograph of the author’s mother in a Halloween costume transitions easily into an introduction to Roland Barthes’ work Camera Lucida, which then connects just as smoothly to a memory of watching a White visitor struggle with the reality presented by the Legacy Museum in Montgomery, Alabama. “Something about this encounter, something about seeing her struggle…feels appropriate to the weight of this history,” writes the author. It is a testament to Sharpe’s artistry that this incredibly complex text flows so naturally.

An exquisitely original celebration of American Blackness.

Pub Date: April 25, 2023

ISBN: 9780374604486

Page Count: 392

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 18, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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THE VIRTUES OF AGING

A heartfelt if somewhat unsurprising view of old age by the former president. Carter (Living Faith, 1996, etc.) succinctly evaluates the evolution and current status of federal policies concerning the elderly (including a balanced appraisal of the difficulties facing the Social Security system). He also meditates, while drawing heavily on autobiographical anecdotes, on the possibilities for exploration and intellectual and spiritual growth in old age. There are few lightning bolts to dazzle in his prescriptions (cultivate family ties; pursue the restorative pleasures of hobbies and socially minded activities). Yet the warmth and frankness of Carter’s remarks prove disarming. Given its brevity, the work is more of a call to senior citizens to reconsider how best to live life than it is a guide to any of the details involved.

Pub Date: Oct. 26, 1998

ISBN: 0-345-42592-8

Page Count: 96

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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