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SO-CALLED NORMAL

A MEMOIR OF FAMILY, DEPRESSION AND RESILIENCE

A candid, graceful, and courageous account that will offer a lifeline to others.

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In this debut memoir, a man recounts battling depression and suicidal thoughts throughout his childhood and teenage years.

This book opens with Henick standing on a bridge ready to take his own life. “This is the end,” writes the author. “I’m sure of it. At least, I think I’m sure.” At what seems like the point of no return, the narrative snaps back to Henick’s childhood in an attempt to understand why he felt driven to commit suicide. Growing up in Sydney, Nova Scotia, the author coped with a difficult family life. His parents had separated by the time he was 4 years old. His mother’s new partner, Gary, was a bully who rebuked Henick for playing with a pink stuffed animal: “ ‘Pink is for girls,’ he said. ‘And faggots.’ ” Also bullied at school, the author began to develop anxiety at an early age. At one point, he describes being molested by the son of a family friend. By seventh grade, Henick began making drawings detailing the ways he could kill himself. He recounts periods spent in a “psych ward” and a feeling that “people preferred to medicate my experience away instead of helping me to understand it.” Recalling therapy, he relates a chilling moment when he put a knife to his own throat in front of a counselor. As the author grew older, he embarked on a quest for self-understanding that involved writing articles about mental health while still in school and setting up a charity to raise awareness about the subject. The memoir portrays how he went on to study psychology at a university, marry, start a family, and deliver a TED talk on suicide.

Henick’s harrowing journey from the “scattered stones” of his childhood to what he refers to as finally building a “house on rock” is both inspirational and revealing. The author possesses the rare ability to pinpoint and deftly describe key characteristics that fed his depression: “I was hypersensitive to people’s reactions toward me….I read things into words and behaviours that probably weren’t intended, and I projected my shame and guilt onto the world everywhere I went.” Henick recalls many personal experiences but is always careful to then examine mental illness from a broader perspective, laying bare the characteristics of a disorder like anxiety: “Anxiety is a future thing. It happens when you’re afraid of something that hasn’t happened yet, or may never happen at all.” In doing so, he renders comprehensible some aspects of mental illness that nonsufferers in particular often find difficult to grasp. The author pulls no punches in his writing, which may deter some readers: “I got home from church and tried to hang myself with an extension cord.” But it is this ability to unblinkingly see mental illness for what it is that illuminates a path to healing for Henick. The author’s recollections of his childhood are painstakingly detailed whereas descriptions of adulthood prove less so, making the closing parts of the book feel slightly hurried. For instance, the volume would benefited from a more thorough account of the author’s coming to terms with life as a father. Still, this detracts little from an elegantly written memoir that discovers hope in the darkest of moments.

A candid, graceful, and courageous account that will offer a lifeline to others.

Pub Date: Jan. 12, 2021

ISBN: 978-1-4434-5503-9

Page Count: 304

Publisher: N/A

Review Posted Online: Nov. 19, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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