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EMDR INSPIRED ART AND POETRY

A MEDITATION ON HOPE AND PAIN FOR TROUBLED TIMES

A varied collection of earnest verses and impressive illustrations about therapy.

Odland explores eye movement desensitization and reprocessing therapy from multiple angles in this collection of poems and images.

EMDR is a form of psychotherapy in which a person accesses traumatic memories while focusing on deliberate physical stimulation, such as moving one’s eyes from side to side, which can have the effect of alleviating the stress of such recollections. In this work, Odland shares poems and illustrations from his perspective as an EMDR counselor, or, as he puts it in “Emotional Surgery,” “a well-intentioned therapist / With no scalpel in hand / No surgeon’s mask.” Much of the poetry deals with the particular tension of being both someone who uses EMDR in treatment and someone who has undergone the same therapy. Odland captures the anxiety of wondering whether he’s doing a good job for the people he treats in “What if I Fail”: “What if I rush / To heal their pain / And send them out raw / Through the pouring rain?” In “Have You,” he wonders if his training gets in the way of his own therapy. Other works are written from the perspectives of patients who would benefit from EMDR but are afraid to pursue it or don’t know how to begin. Some use figurative language to describe the process, such as the trio of poems that compare EMDR to playing jazz. Each work is accompanied by the author’s images, mostly drawings or prints in a black-and-white woodblock style. Disembodied eyes and faces are common motifs, but there are also imaginative images of women whose heads are transforming into trees, angels keeping watch over sleeping infants, and anthropomorphized coffee beans wearing boxing gloves.

Odland has a knack for effective similes, as in this description of an EMDR patient’s eye movements from “Miracle”: “Her eyes pace like a worried mother / Wearing out linoleum tile.” At other points, he compares trauma to a hibernating bear or canisters of toxic waste leaking into the ground. Sometimes his perspective as a therapist feels more dominant, as in “EMDR Robot,” which borrows the language of television commercials to pitch a fictitious automaton. There are moments, as in “He Doesn’t Know That I Know,” when the quality of the poetry falters, particularly when it resorts to rhymes: “I’ll try to explain the benefits of EMDR / With my best attempts at articulation / And reframe therapy as courage and strength / To stoke the embers of his dormant motivation.” The images are all high-quality, though, with the gentle imperfections of handmade work. The most effective illustrations capture the same tensions as the poetry, such as the one of a Google homepage in which the letters in the phrase “EMDR therapist” slip slowly out of the search bar. Other images, though well executed, are more opaque in their meaning, such as one that appears to show a paternal Joe Biden comforting a childlike Donald Trump. Still, those with EMDR experience are likely to see a bit of themselves in these pages.

A varied collection of earnest verses and impressive illustrations about therapy.

Pub Date: N/A

ISBN: 979-8797772392

Page Count: 208

Publisher: Bilateral Innovations

Review Posted Online: May 5, 2022

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THE LOST SPELLS

Breathtakingly magical.

A powerful homage to the natural world, from England by way of Canada.

Combining poetic words (somewhat reminiscent of Mary Oliver’s poetry in their passion for the natural world) with truly stunning illustrations, this unusually beautiful book brings to readers the magic and wonder of nature. This is not a book about ecology or habitat; this is a book that encourages readers to revel in, and connect with, the natural world. Focusing on a particular subject, whether it be animal, insect, or plant, each poem (rendered in a variety of forms) delivers a “spell” that can be playful, poignant, or entreating. They are most effective when read aloud (as readers are encouraged to do in the introduction). Gorgeous illustrations accompany the words, both as stand-alone double-page spreads and as spot and full-page illustrations. Each remarkable image exhibits a perfect mastery of design, lively line, and watercolor technique while the sophisticated palette of warms and cools both soothes and surprises. This intense interweaving of words and pictures creates a sense of immersion and interaction—and a sense that the natural world is part of us. A glossary encourages readers to find each named species in the illustrations throughout the book­––and to go one step further and bring the book outside, to find the actual subjects in nature. Very much in the spirit of the duo’s magisterial The Lost Words (2018), this companion is significantly smaller than its sprawling companion; at just 6.5 by 4.5 inches when closed, it will easily fit into a backpack or generously sized pocket. “Wonder is needed now more than ever,” Macfarlane writes in the introduction, and this book delivers it.

 Breathtakingly magical. (Poetry. 6-adult)

Pub Date: Oct. 27, 2020

ISBN: 978-1-4870-0779-9

Page Count: 120

Publisher: House of Anansi Press

Review Posted Online: Oct. 23, 2020

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SLEEPING PRESIDENTS

An odd but sometimes-moving imagining of the nocturnal thoughts of the presidents of the United States.

A fanciful look at the dreams of U.S. presidents throughout history.

Phillips, a painter and multimedia artist, offers readers a mix of fact and fiction in a book that’s not so much about the inner lives as it is about the sleeping lives of America’s leaders. Working backward from Donald Trump to George Washington (including separate essays for each Grover Cleveland administration), Phillips’ essays imagine each man’s dreams about various subjects, include his childhood, his parents, and sex. Each essay attempts to capture the personality of the president at hand, and some bring in the viewpoints of other people, as in a dialogue between John and Abigail Adams or the musings of Zachary Taylor’s horse, Whitey. The chapter on Gerald Ford has a blank space in lieu of an essay, while Millard Fillmore, who was also not elected to the office of president, gets a full examination. The essays’ focuses aren’t always what one might expect; for example, John F. Kennedy’s essay is about living under the shadow of his father’s ambitions, and Franklin D. Roosevelt’s is about the women in his life. This multimedia coffee-table book is full of the author’s own full-color paintings and illustrations, painted in styles ranging from surreal to abstract, and their effectiveness varies. Mainly, though, this book highlights the challenges of blurring the lines between reality and fantasy. In his quest to enter the presidents’ dreams, Phillips generally gets the history right and does a good job of capturing the essence of many presidential personalities and relationships. However, some of the sexual references can be overly graphic, as can some bodily descriptions, such as one about Cleveland’s testicles. As a result, this book can be unsettling at times. Still, its imaginativeness makes one wonder what the author would have made of the dreams of the current president, who defeated the man who called him “Sleepy Joe.”

An odd but sometimes-moving imagining of the nocturnal thoughts of the presidents of the United States.

Pub Date: Feb. 21, 2021

ISBN: 978-0-57-861384-0

Page Count: 215

Publisher: Black Book

Review Posted Online: June 15, 2021

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