An unevenly executed but often engaging supernatural thriller with elements of comedy.
In Reefe’s horror novel, a teenage girl possessed by a demon battles a local legend known as the Goatman.
The story begins in Bowie, Maryland, in the fall of 1988. Kate Dwyer starts having disturbing dreams around the same time that her new neighbor, Maya Suárez Martinez, moves into an abandoned house that used to belong to a serial killer called the the Butcher of Bowie; some believe that the killer is a boogeyman-like monster called the Goatman. It turns out that a demon named Raga is inhabiting Kate’s body; Maya, who’s a witch, helps her navigate her relationship with the demon possessing her using her own magical knowledge, charms, and family’s spell book. Then Steve and Chris, Kate’s brothers, return to town, and it’s revealed that they’re monster hunters. With her friends, Theresa Petruzzo and Jackie Engert, they investigate the Glenn Dale hospital and take on a monster called the Bunnyman. Afterward, Jackie and Kate’s crush, Jake Shaw, go missing, and Kate’s investigation reveals that Jake has been looking into the Goatman case on his own. The story eventually involves another powerful demon; the young monster-hunting crew, with the help of Raga and Maya, are soon on a multistep mission to destroy it. However, a few twists occur that make their quest far more difficult than expected. Reefe’s novel stars a colorful assortment of heroic and villainous characters, including a sassy protagonist, a highly perceptive witch, and a Twinkie-loving demon. The dialogue throughout the novel is sometimes quite funny, especially when the teenagers’ mannerisms begin to rub off on the demonic Raga: “That ghost was pissed”; “Your brother has serious issues.” However, the complicated plot can feel a bit muddled at times, and readers may find it difficult to follow due to its pacing, which proceeds at a brisk clip.
An unevenly executed but often engaging supernatural thriller with elements of comedy.Pub Date: May 7, 2024
ISBN: 9781627205344
Page Count: 342
Publisher: Apprentice House
Review Posted Online: March 6, 2024
Review Program: Kirkus Indie
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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