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THE RUNNER

FOUR YEARS LIVING AND RUNNING IN THE WILDERNESS

A slim, mildly inspirational book suggesting that you have to risk getting lost in order to find yourself.

A memoir about living in the wilderness, withstanding the elements, seeing no one, and doing almost nothing but running.

Swedish author Torgeby was always an indifferent student beset by anxiety and itching to get outside. “I don’t understand why I should be stuck inside doing something I don’t want to do,” he writes of that boyhood. “I don’t bother with my homework and always have the lowest marks in my class in every test. I just want to run.” His life got worse when his mother was diagnosed with a serious illness and he undertook her care. Though he had begun running competitively early on, he was always better in training than he was in a race, for reasons his coach said were all in his head. When he was 20, he left his home and family to live in the woods and run. Though he would interrupt this seclusion for a six-month training sojourn in Tanzania, he ended up spending four winters battling the elements, running daily, and taking odd jobs in the countryside when his money ran low. A journalist wrote some articles about him, but he wondered why people were interested. Some readers may be tempted to agree with him, as he doesn’t come across as particularly perceptive or reflective. Yet the articles sparked the attention of a documentary filmmaker, toward whom his subject was also ambivalent, not wanting the bother of attention but enjoying a bit of celebrity (the book was a bestseller in Sweden). Other runners found inspiration in his story, and he made his re-entry into civilization, with a wife, a family, and a message about how little you need to live life to the fullest. You don’t need expensive shoes or special socks or any consumer trappings. “You only need to put on your shoes and get going,” he writes. “Let the blood circulate. Then everything becomes much clearer.”

A slim, mildly inspirational book suggesting that you have to risk getting lost in order to find yourself.

Pub Date: Oct. 23, 2018

ISBN: 978-1-4729-5497-8

Page Count: 192

Publisher: Bloomsbury Sport

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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