The circus train stops here after a good run.
Frazee’s third installment in her wordless picture-book series is a family affair.
Frazee uses the frontmatter to begin her tale as, on the title page, the clown child who met the farmer in the trilogy’s first installment is shown rejecting a motherly clown’s offering of a clown suit. Instead, the child chooses the farmerlike outfit donned in Book 1 and is wearing it when the monkey protagonist of Book 2 reappears with items from the farmer’s abode. It’s a happy reunion of monkey and child, whose play evokes their times on the farm. Their joy is eclipsed only by the eventual appearance of the doting farmer, who comes to the circus after the little clown’s community of performers raises the big top on the prairie. The real drama takes place outside the tent, however, when romance blooms between the farmer and the clown’s mother as they bond over juggling, music, dancing, and pie. At the book’s end, the foursome leaves the circus and heads home to the farmer’s house, which Frazee depicts bathed in a rosy sunset, the landscape embellished with flowers. It’s a happily-ever-after sort of ending, though some readers may be weary of depictions of monkeys as quasi-children, and others may wonder why the farmer didn’t join the circus instead of relocating everyone to his home. (This book was reviewed digitally with 8.3-by-20.6-inch double-page spreads viewed at 19.3% of actual size.)
The circus train stops here after a good run. (Picture book. 3-7)Pub Date: April 6, 2021
ISBN: 978-1-5344-4621-2
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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